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Colour negative · Vintage

ORWOCOLOR NC 3

East Germany's first masked cine colour negative.

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Planned media

ORWOCOLOR NC 3, East Germany's first masked cine negative, at its tungsten design light, printed on its default Technicolor Dye Transfer (1997 revival) surrogate. Original vs Ashigrain.

ORWOCOLOR NC 3, Technicolor Dye Transfer (1997 revival)

stock
ORWOCOLOR NC 3
mode
Print
print_film
Technicolor Dye Transfer (1997 revival)
film_format
Super 35 (4-perf)
Exposure index
64
Tungsten
Introduced
by 1972
Discontinued
Process
ORWO 5186
Prints on
revival)
Technicolor Dye Transfer (1997 revival)

About the film

ORWOCOLOR NC 3 was a tungsten-balanced colour negative for professional motion-picture work, made by VEB Filmfabrik Wolfen – Fotochemisches Kombinat in the GDR. Johann Tamm and Joachim Weisflog of the Wolfen factory presented it as a new colour negative film in issue 11 of Bild und Ton in 1972, the earliest dated evidence for it.

According to their article, it was the first masked ORWO cine negative, with coloured masking couplers. Rated 19 DIN (EI 64) in 3200 K light, it was used at 17 DIN in daylight with the ORWO K 14 conversion filter, and it was developed in ORWO process 5186 with six to seven minutes of colour development. An undercoat of blue colloidal silver under the emulsions guarded against halation, on a triacetate base. The article gives RMS granularity of 28, 25 and 28 for the blue, green and red layers through a 24 µm aperture, and a resolving power of 85 lines per millimetre. The Wolfen factory, whose films went back to the Agfa company founded in 1909, held the GDR's film-manufacturing monopoly after 1945 and adopted the ORWO brand, for Original Wolfen, in 1964. Its present successor at the site, FilmoTec, makes black-and-white films, and its range lists no colour negative.

Sources for this history
  1. NC 3 – ein neuer Color-Negativfilm (Bild und Ton 25, 11/1972, pp. 341–344), Johann Tamm and Joachim Weisflog (VEB Filmfabrik Wolfen)
  2. Orwocolor, Timeline of Historical Film Colors
  3. Geschichte, FilmoTec GmbH
  4. Filme, FilmoTec GmbH

The look

ORWOCOLOR NC 3 is a 1970s tungsten colour negative from the Wolfen film factory in East Germany, the first masked ORWO cine negative. Rated EI 64 under 3200 K light, it prints on Technicolor Dye Transfer (1997 revival) by default.

ORWOCOLOR NC 3 sample frame: OriginalORWOCOLOR NC 3 sample frame: Ashigrain
ORWOCOLOR NC 3 sample frame: OriginalORWOCOLOR NC 3 sample frame: Ashigrain
ORWOCOLOR NC 3 sample frame: OriginalORWOCOLOR NC 3 sample frame: Ashigrain

Best for

  1. Eastern-bloc 1970s cinema looks
  2. Tungsten-lit interiors
  3. Period drama with a European palette

Compare camera films

FilmSpeedGrain, RMS σD · lower means finer grainYears made
CinefotocolorCinefotocolor−3 stops vs ORWOCOLOR NC 3 · grain coarserEI 8−3 stops.0191948
GasparcolorGasparcolor−2⅓ stops vs ORWOCOLOR NC 3 · grain coarserEI 12−2⅓ stops.0181932
Ansco Color Negative 843Ansco Color Negative 843−2 stops vs ORWOCOLOR NC 3 · grain finerEI 16−2 stops.0041951
Gevacolor Negative T 6.51Gevacolor Negative T 6.51−2 stops vs ORWOCOLOR NC 3 · grain the sameEI 16−2 stops.0071951
Technicolor Process IITechnicolor Process II−2 stops vs ORWOCOLOR NC 3 · grain coarserEI 16−2 stops.0191922
Trucolor (two-colour)Trucolor (two-colour)−2 stops vs ORWOCOLOR NC 3 · grain coarserEI 16−2 stops.0191945
ORWOCOLOR UK 14ORWOCOLOR UK 14−1⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 20−1⅔ stops.0111964
Kodak Kodachrome 25Kodak Kodachrome 25−1⅓ stops vs ORWOCOLOR NC 3 · grain coarserEI 25−1⅓ stops.0141974
Agfacolor Typ 432Agfacolor Typ 432−1 stop vs ORWOCOLOR NC 3 · grain the sameEI 32−1 stop.0071962
Svema DS-5MSvema DS-5M−⅔ stop vs ORWOCOLOR NC 3 · grain finerEI 40−⅔ stop.0051979
Kodak Aerochrome III 1443Kodak Aerochrome III 1443−⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 40−⅔ stop.0292001
Kodak Vision3 50DKodak Vision3 50DMade since 2011, in production · −⅓ stop vs ORWOCOLOR NC 3 · grain finerEI 50−⅓ stop.0042011–
Fujifilm Velvia 50Fujifilm Velvia 50Made since 2007, in production · −⅓ stop vs ORWOCOLOR NC 3 · grain coarserEI 50−⅓ stop.0112007–
Agfa Agfacolor Ultra 50Agfa Agfacolor Ultra 50−⅓ stop vs ORWOCOLOR NC 3 · grain finerEI 50−⅓ stop.0041995
Agfa Agfachrome RSX II 50Agfa Agfachrome RSX II 50−⅓ stop vs ORWOCOLOR NC 3 · grain coarserEI 50−⅓ stop.0111998
Konica Impresa 50Konica Impresa 50−⅓ stop vs ORWOCOLOR NC 3 · grain finerEI 50−⅓ stop.0051998
DufaycolorDufaycolor−⅓ stop vs ORWOCOLOR NC 3 · grain coarserEI 50−⅓ stop.0121935
Fujifilm Fujichrome 64T Type IIFujifilm Fujichrome 64T Type IIsame speed vs ORWOCOLOR NC 3 · grain coarserEI 64same speed.0132002
Kodak Kodachrome 64Kodak Kodachrome 64Made 1974–2009 · same speed vs ORWOCOLOR NC 3 · grain coarserEI 64same speed.0161974–2009
ORWOCOLOR NC 3ORWOCOLOR NC 3this filmEI 64this film.0071972
Polaroid Type 669Polaroid Type 669+⅓ stop vs ORWOCOLOR NC 3 · grain coarserEI 80+⅓ stop.0231981
Ilford Ortho PlusIlford Ortho PlusMade since 1997, in production · +⅓ stop vs ORWOCOLOR NC 3 · grain coarserEI 80+⅓ stop.0131997–
Svema LN-9Svema LN-9+⅔ stop vs ORWOCOLOR NC 3 · grain the sameEI 95+⅔ stop.0071988
Kodak Ektar 100Kodak Ektar 100Made since 2008, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain finerEI 100+⅔ stop.0052008–
Kodak Ektachrome 100DKodak Ektachrome 100DMade since 2018, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0132018–
Lucky Super GBR 100Lucky Super GBR 100+⅔ stop vs ORWOCOLOR NC 3 · grain finerEI 100+⅔ stop.0052001
Ferrania Solaris FG Plus 100Ferrania Solaris FG Plus 100+⅔ stop vs ORWOCOLOR NC 3 · grain finerEI 100+⅔ stop.0052002
Fujifilm Astia 100FFujifilm Astia 100FMade 2003–2012 · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0112003–12
Fujifilm Velvia 100Fujifilm Velvia 100Made since 2003, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0112003–
Kodak Ektachrome E100SKodak Ektachrome E100S+⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0151996
Agfa Agfacolor Optima II 100Agfa Agfacolor Optima II 100+⅔ stop vs ORWOCOLOR NC 3 · grain finerEI 100+⅔ stop.0051998
Agfa Agfachrome RSX II 100Agfa Agfachrome RSX II 100+⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0111998
Kodak Ektachrome E100VSKodak Ektachrome E100VS+⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0171998
Fujifilm Provia 100FFujifilm Provia 100FMade since 2000, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0102000–
Gevacolor 682Gevacolor 682+⅔ stop vs ORWOCOLOR NC 3 · grain finerEI 100+⅔ stop.0061979
Kodak Ektachrome 100 Plus (EPP)Kodak Ektachrome 100 Plus (EPP)+⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0181988
Fujifilm FP-100CFujifilm FP-100CMade 1992–2016 · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0221992–2016
Lomography Redscale XR 50-200Lomography Redscale XR 50-200+⅔ stop vs ORWOCOLOR NC 3 · grain finerEI 100+⅔ stop.0052025
Fomapan R 100Fomapan R 100Made since 1980, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0211980–
Tasma NK-2Tasma NK-2+⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0121980
Kodak T-Max 100Kodak T-Max 100Made since 1986, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0081986–
Ilford Delta 100Ilford Delta 100Made since 1992, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain the sameEI 100+⅔ stop.0071992–
Agfa Agfapan APX 100Agfa Agfapan APX 100+⅔ stop vs ORWOCOLOR NC 3 · grain the sameEI 100+⅔ stop.0071998
Fomapan 100 ClassicFomapan 100 ClassicMade since 2016, in production · +⅔ stop vs ORWOCOLOR NC 3 · grain coarserEI 100+⅔ stop.0122016–
Eastman Color Negative 5247Eastman Color Negative 5247+1 stop vs ORWOCOLOR NC 3 · grain finerEI 125+1 stop.0051983
Kodak Technical PanKodak Technical Pan+1 stop vs ORWOCOLOR NC 3 · grain coarserEI 125+1 stop.0081977
Kodak Portra 160Kodak Portra 160Made since 2011, in production · +1⅓ stops vs ORWOCOLOR NC 3 · grain finerEI 160+1⅓ stops.0062011–
Agfa Agfacolor Portrait XPS 160Agfa Agfacolor Portrait XPS 160+1⅓ stops vs ORWOCOLOR NC 3 · grain finerEI 160+1⅓ stops.0061995
Kodak Vision3 200TKodak Vision3 200TMade since 2010, in production · +1⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 200+1⅔ stops.0062010–
Kodak Verita 200DKodak Verita 200DMade since 2026, in production · +1⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 200+1⅔ stops.0062026–
Fujifilm C200Fujifilm C200+1⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 200+1⅔ stops.0052017
Kodak Gold 200Kodak Gold 200Made since 2007, in production · +1⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 200+1⅔ stops.0082007–
Lucky Super GBR 200Lucky Super GBR 200+1⅔ stops vs ORWOCOLOR NC 3 · grain the sameEI 200+1⅔ stops.0072001
Ferrania Solaris FG Plus 200Ferrania Solaris FG Plus 200+1⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 200+1⅔ stops.0052002
Kodak Ektachrome E200Kodak Ektachrome E200+1⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 200+1⅔ stops.0181997
Agfa Agfachrome RSX II 200Agfa Agfachrome RSX II 200+1⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 200+1⅔ stops.0141998
Kodak Kodachrome 200Kodak Kodachrome 200+1⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 200+1⅔ stops.0271986
Harman Phoenix 200Harman Phoenix 200+1⅔ stops vs ORWOCOLOR NC 3 · grain the sameEI 200+1⅔ stops.0072023
Kodak Tri-X Reversal 7266Kodak Tri-X Reversal 7266Made since 2003, in production · +1⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 200+1⅔ stops.0242003–
Kodak Vision3 250DKodak Vision3 250DMade since 2009, in production · +2 stops vs ORWOCOLOR NC 3 · grain finerEI 250+2 stops.0062009–
Fujifilm Eterna 250Fujifilm Eterna 250+2 stops vs ORWOCOLOR NC 3 · grain finerEI 250+2 stops.0052006
Fujifilm Eterna 250DFujifilm Eterna 250DMade 2005–2013 · +2 stops vs ORWOCOLOR NC 3 · grain finerEI 250+2 stops.0052005–13
Kodak Vision 250DKodak Vision 250DMade 1997–2005 · +2 stops vs ORWOCOLOR NC 3 · grain the sameEI 250+2 stops.0071997–2005
Kodak Aerocolor IV 2460Kodak Aerocolor IV 2460Made since 2009, in production · +2 stops vs ORWOCOLOR NC 3 · grain coarserEI 250+2 stops.0132009–
Eastman Double-X 5222Eastman Double-X 5222Made since 1960, in production · +2 stops vs ORWOCOLOR NC 3 · grain coarserEI 250+2 stops.0131960–
ORWO Wolfen NC400ORWO Wolfen NC400+2⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 400+2⅔ stops.0052022
Kodak Portra 400Kodak Portra 400Made since 2010, in production · +2⅔ stops vs ORWOCOLOR NC 3 · grain the sameEI 400+2⅔ stops.0072010–
ORWO Wolfen NC500ORWO Wolfen NC500+2⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 400+2⅔ stops.0062022
Fujifilm Provia 400FFujifilm Provia 400F+2⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 400+2⅔ stops.0172000
Ferrania Solaris FG Plus 400Ferrania Solaris FG Plus 400+2⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 400+2⅔ stops.0062004
Fujifilm Pro 400HFujifilm Pro 400HMade 2004–2021 · +2⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 400+2⅔ stops.0052004–21
Kodak Ektachrome 400XKodak Ektachrome 400X+2⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 400+2⅔ stops.0371992
Fujifilm Superia X-TRA 400Fujifilm Superia X-TRA 400+2⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 400+2⅔ stops.0052006
LomoChrome Color '92 Sun-kissedLomoChrome Color '92 Sun-kissed+2⅔ stops vs ORWOCOLOR NC 3 · grain finerEI 400+2⅔ stops.0052024
Kodak Tri-X 400Kodak Tri-X 400Made since 1954, in production · +2⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 400+2⅔ stops.0171954–
Kodak T-Max 400Kodak T-Max 400Made since 2007, in production · +2⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 400+2⅔ stops.0102007–
Ilford HP5 PlusIlford HP5 PlusMade since 1989, in production · +2⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 400+2⅔ stops.0161989–
Ilford Delta 400Ilford Delta 400Made since 2002, in production · +2⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 400+2⅔ stops.0102002–
Kodak Vision3 500TKodak Vision3 500TMade since 2007, in production · +3 stops vs ORWOCOLOR NC 3 · grain the sameEI 500+3 stops.0072007–
Kodak 500T 5230Kodak 500T 5230+3 stops vs ORWOCOLOR NC 3 · grain coarserEI 500+3 stops.0092011
Fujifilm Eterna Vivid 500Fujifilm Eterna Vivid 500Made 2009–2013 · +3 stops vs ORWOCOLOR NC 3 · grain finerEI 500+3 stops.0052009–13
Kodak Vision2 500TKodak Vision2 500T+3 stops vs ORWOCOLOR NC 3 · grain coarserEI 500+3 stops.0092009
Fujicolor Reala 500DFujicolor Reala 500D+3 stops vs ORWOCOLOR NC 3 · grain finerEI 500+3 stops.0052001
Kodak Vision2 Expression 500TKodak Vision2 Expression 500T+3 stops vs ORWOCOLOR NC 3 · grain coarserEI 500+3 stops.0092003
Fujifilm Eterna 500Fujifilm Eterna 500Made 2004–2013 · +3 stops vs ORWOCOLOR NC 3 · grain finerEI 500+3 stops.0052004–13
Anscochrome D/500Anscochrome D/500+3 stops vs ORWOCOLOR NC 3 · grain coarserEI 500+3 stops.0381967
Eastman EXR 500TEastman EXR 500TMade 1989–1995 · +3 stops vs ORWOCOLOR NC 3 · grain coarserEI 500+3 stops.0081989–95
Kodak Portra 800Kodak Portra 800Made since 2000, in production · +3⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 800+3⅔ stops.0092000–
Ferrania Solaris FG Plus 800Ferrania Solaris FG Plus 800+3⅔ stops vs ORWOCOLOR NC 3 · grain the sameEI 800+3⅔ stops.0072004
Kodak Vision 800TKodak Vision 800T+3⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 800+3⅔ stops.0101998
Konica Centuria Super 1600Konica Centuria Super 1600+4⅔ stops vs ORWOCOLOR NC 3 · grain the sameEI 1600+4⅔ stops.0072002
Kodak Ektachrome P1600Kodak Ektachrome P1600+4⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 1600+4⅔ stops.0501999
Kodak T-Max P3200Kodak T-Max P3200Made since 1988, in production · +5⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 3200+5⅔ stops.0181988–
Ilford Delta 3200Ilford Delta 3200Made since 1998, in production · +5⅔ stops vs ORWOCOLOR NC 3 · grain coarserEI 3200+5⅔ stops.0191998–

Science & sources

ORWOCOLOR NC 3 calibration chart: OriginalORWOCOLOR NC 3 calibration chart: Processed
Synthetic test chart (skin tones, Munsell greys, colour bars, tone and hue ramps, step wedge, memory-colour roll-off, halation star) before and after the full Ashigrain pipeline: print branch on Technicolor Dye Transfer (1997 revival), Super 35 4-perf, default controls, exposure +0.54 stops to match the original's mid-grey, frame 0.

A tungsten-balanced motion-picture colour negative with an exposure index of 64. It prints on Technicolor Dye Transfer (1997 revival) by default. Its curves, dyes and MTF are traced from the 1972 article, with its printing-density curves and relative sensitivity as named approximations; its grain is borrowed from Kodak Vision3 200T, because the article gives only single RMS values at a 24 µm aperture.

Response curves and the evidence behind the model

Compare manufacturer data with Ashigrain’s response on the same axes. These curves show how the model is calibrated to its sources; they do not establish a match to photographed film.

Characteristic response

Density against log H (lux-seconds) for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are digitised, open markers and dashed lines are simulated: digitised and simulated.−3.0−2.0−1.00.01.02.0log H (lux-seconds)0.01.02.03.0Density

RMS granularity

RMS granularity (σD) against Density for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are datasheet-based, open markers and dashed lines are simulated: datasheet-based and simulated.0.20.40.60.81.01.21.41.6Density0.00.0050.010.0150.02RMS granularity (σD)

Density variation (σD) measured through a 24 µm aperture. Where the datasheet gives a single grain value, the response away from that point is an approximation.

ChannelDensityDatasheet-based σDModel σD
R0.30.0082770.008263
G0.30.0081290.008105
B0.30.018330.018181
R0.60.0061230.006113
G0.60.0066530.006633
B0.60.0144790.01436
R10.0052020.005193
G10.0066970.006677
B10.0157470.015618
R1.50.0049320.004924
G1.50.0052260.00521
B1.50.0143660.014249

Model limits

These images show the film model in use. Spectral response, lighting and viewing conditions include approximations. Halation, bloom, grain size, weave and flicker are not fully measured for each film. The look of real film also depends on development and print timing.

  • Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are assumptions used by the model, not measurements of this film.
  • Colour-print timing and scan balance under arbitrary lighting are modelled. Scanner colour balance has no standard physical unit.
  • The source specifies a 3200 K tungsten design light, not its spectrum. The design-light spectrum is an approximation.
  • The source rates the film for daylight with the ORWO K 14 conversion filter but publishes no spectrum for it; the filter transmission is modelled.
  • The characteristic curves are printing densities measured by the Behrendt method, not Status M densities, on a relative exposure axis; the model treats both as named approximations.
  • The spectral sensitivity is printed as relative log sensitivity with an arbitrary origin; its absolute level is aligned by assumption.
  • Each dye curve is normalised to a peak of about 1.0, so the dye scales are fitted assumptions.
  • The source gives RMS granularity only as single values of 28, 25 and 28 for the blue, green and red layers through a 24 µm aperture. Grain is proxied from Kodak Vision3 200T (5213), so the granularity values shown are that film's.
  • The MTF is measured with a square-wave radial target, not as a sine-wave MTF.
  • The antihalation undercoat of blue colloidal silver is printed, but halation strength, radius, layer weights and bloom are not measured.
  • Individual dye amounts, layer interactions and push/pull behaviour are approximated where the datasheet provides no calibration. Grain size is assumed; published RMS granularity does not specify dye-cloud size.
  • Characteristic response outside the published exposure range is an extrapolation, not measured film data.
  • The printer lamp and filter spectra and the Status A grey aim used in this preview are approximated; the source does not publish the required spectral or laboratory aim data.

Reciprocity: not modelled. Exposure time has no effect on this film.

Film guide: assumptions and practical choices

Sources

  1. Exposure index: Tamm, J. and Weisflog, J.: NC 3 - ein neuer Color-Negativfilm. Bild und Ton 25 (11/1972), pp. 341-344, Bild und Ton, Heft 11/1972, 25. Jahrgang, pp. 341-344; filmcolors.org scan uploaded 2015-01, p. 1
  2. Diffuse RMS granularity: Tamm, J. and Weisflog, J.: NC 3 - ein neuer Color-Negativfilm. Bild und Ton 25 (11/1972), pp. 341-344, Bild und Ton, Heft 11/1972, 25. Jahrgang, pp. 341-344; filmcolors.org scan uploaded 2015-01, p. 2
  3. Exposure index: Tamm, J. and Weisflog, J.: NC 3 - ein neuer Color-Negativfilm. Bild und Ton 25 (11/1972), pp. 341-344, Bild und Ton, Heft 11/1972, 25. Jahrgang, pp. 341-344; filmcolors.org scan uploaded 2015-01, p. 2
  4. Characteristic curves: Tamm, J. and Weisflog, J.: NC 3 - ein neuer Color-Negativfilm. Bild und Ton 25 (11/1972), pp. 341-344, Bild und Ton, Heft 11/1972, 25. Jahrgang, pp. 341-344; filmcolors.org scan uploaded 2015-01, p. 3
  5. Process: Tamm, J. and Weisflog, J.: NC 3 - ein neuer Color-Negativfilm. Bild und Ton 25 (11/1972), pp. 341-344, Bild und Ton, Heft 11/1972, 25. Jahrgang, pp. 341-344; filmcolors.org scan uploaded 2015-01, p. 3

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