Colour negative · Experimental
LomoChrome Color '92 Sun-kissed
Lomography's warmer Color '92 for golden light.
Soft warm yellows and oranges on skin in golden light, rendered as a scan. A surrogate of the maker's described look built on a proxy film. Original vs Ashigrain.
At a glance
- Exposure index
- 400
- Daylight
- Introduced
- 2024
- Process
- C-41
- Prints on
- Scan
About the film
LomoChrome Color '92 Sun-kissed is an ISO 400 colour negative film for C-41 processing, made and sold by Lomography, the Austrian analogue photography brand.
It is a warmer version of LomoChrome Color '92, an ISO 400 film released in mid-2023 as Lomography's first new colour film since the pandemic and noted for a subdued palette and enhanced grain. Kosmo Foto reported the launch of Sun-kissed in July 2024, relaying a Lomography press release that marked one year since Color '92. Lomography aimed it at golden-hour oranges and yellows and warm skin tones, with pronounced grain. Its shop page describes soft warm yellows and oranges in direct sun and says the film can be pushed and pulled. It is made in 35 mm, 120 and 110, and it was still on sale in July 2026. Lomography publishes no chart for it and does not say how its warm look is made.
Sources for this history
The look
LomoChrome Color '92 Sun-kissed is an ISO 400 C-41 colour negative, a warmer variant of LomoChrome Color '92 that Lomography describes as soft warm yellows and oranges in direct sun. Ashigrain's version is a labelled surrogate built on a proxy film, not a reproduction, rendered as a scan.






Best for
- Golden-hour portraits
- Warm summer travel snapshots
- Nostalgic, grainy everyday colour
Compare camera films
Science & sources


A labelled surrogate of the maker's described warm look, not a reproduction of Sun-kissed: Lomography publishes no chart or measurement. Its curves, grain and MTF are borrowed from Fujifilm Pro 400H and its dye shapes from Kodak Vision3 250D, with two assumed warm-balance shifts. It defaults to a scan.
Response curves and the evidence behind the model
Compare manufacturer data with Ashigrain’s response on the same axes. These curves show how the model is calibrated to its sources; they do not establish a match to photographed film.
Characteristic response
RMS granularity
Density variation (σD). Where the datasheet gives a single grain value, the response away from that point is an approximation.
| Channel | Density | Datasheet-based σD | Model σD |
|---|---|---|---|
| R | 0.3 | 0.006698 | 0.006594 |
| G | 0.3 | 0.007852 | 0.007743 |
| B | 0.3 | 0.02037 | 0.020057 |
| R | 0.6 | 0.004653 | 0.004581 |
| G | 0.6 | 0.006115 | 0.00603 |
| B | 0.6 | 0.014184 | 0.013966 |
| R | 1 | 0.004373 | 0.004305 |
| G | 1 | 0.005262 | 0.005189 |
| B | 1 | 0.01365 | 0.01344 |
| R | 1.5 | 0.004074 | 0.004011 |
| G | 1.5 | 0.005272 | 0.005199 |
| B | 1.5 | 0.011359 | 0.011185 |
Model limits
These images show the film model in use. Spectral response, lighting and viewing conditions include approximations. Halation, bloom, grain size, weave and flicker are not fully measured for each film. The look of real film also depends on development and print timing.
- This is a labelled surrogate of the warm look Lomography describes, rather than a reproduction of LomoChrome Color '92 Sun-kissed. Lomography publishes no chart or measurement of the film.
- The characteristic curves, interlayer effects, grain and MTF are the named proxy Fujifilm Pro 400H; the dye shapes are borrowed from Kodak Vision3 250D (5207).
- The warm look is carried by two assumed sensitivity shifts: the blue layer is 0.12 log H slower and the green layer 0.04 log H slower than the proxy's.
- In the current render each layer is calibrated on the film's own grey, so this per-layer shift cancels for neutral tones and a mid-grey renders close to neutral rather than yellow-orange.
- Push and pull have no published curves for this film and use a generic model.
- The default output is a scan. Scan balance has no standard unit and is modelled.
- Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are assumptions used by the model, not measurements of this film.
- Individual dye amounts, layer interactions and push/pull behaviour are approximated where the datasheet provides no calibration. Grain size is assumed; published RMS granularity does not specify dye-cloud size.
- Characteristic response outside the published exposure range is an extrapolation, not measured film data.
Reciprocity: not modelled. Exposure time has no effect on this film.
Film guide: assumptions and practical choices
Sources
- Characteristic curves: FUJICOLOR PRO 400H PROFESSIONAL [NPH] Data Sheet, AF3-176E (EIGI-05.1-FG(HB)), p. 8
- Exposure index: LomoChrome Color '92 Sun-kissed 35 mm ISO 400 (Lomography shop product page), Wayback capture 20260714165513 of shop.lomography.com/us/lomochrome-color-92-sun-kissed-35-mm-iso-400, p. 1
- Process: LomoChrome Color '92 Sun-kissed 35 mm ISO 400 (Lomography shop product page), Wayback capture 20260714165513 of shop.lomography.com/us/lomochrome-color-92-sun-kissed-35-mm-iso-400, p. 1