Colour negative · 2006 onward
Kodak Gold 200
Kodak's everyday colour negative for daylight snapshots.
Kodak's consumer 200-speed negative: warm, saturated everyday colour. Original vs Ashigrain.
At a glance
- Exposure index
- 200
- Daylight
- Introduced
- by 2007
- In production
- Process
- C-41
- Prints on
- Scan
About the film
Kodak Gold 200 is a low-speed ISO 200 daylight colour negative for general picture-taking, made for Process C-41 in 135 and 120.
No source read dates its launch: the earliest dated evidence found is Kodak's E-7022 data sheet of February 2007, which marks itself as a new publication, so the film existed by 2007. That year Gold 200 shared the sheet with Gold 100, and by 2022 the sheet covered Gold 200 alone. Eastman Kodak published the 2007 edition, and Kodak Alaris publishes the current one, revised in March 2022. Kodak meant the film for daylight or electronic flash, with filters for photolamp or tungsten light. The sheet lists colour saturation, fine grain, high sharpness and wide exposure latitude, from two stops under to three stops over, but the 2022 edition prints no MTF chart.
Sources for this history
- KODAK GOLD 200 Film Technical Data (E-7022, March 2022), Kodak Alaris Inc.
- KODAK GOLD 100 and 200 Films Technical Data (E-7022, February 2007), Eastman Kodak Company
The look
Kodak Gold 200 is an ISO 200 daylight colour negative for general picture-taking in daylight or with electronic flash. Kodak lists saturated colour, fine grain, high sharpness and wide exposure latitude, from two stops under to three stops over. Ashigrain renders it as a scan for your grade.






Best for
- Everyday snapshots in daylight
- Holiday and travel photos
- Flash snapshots indoors
Compare camera films
Science & sources


A daylight still-photo colour negative rated at ISO 200, shown as a scan. Its curves and spectral sensitivity are digitised from Kodak's sheet. Its MTF is borrowed from Kodak Portra 160, and its grain and individual dye shapes from Kodak Vision3 250D (5207), because the sheet prints no MTF chart, no RMS granularity and no separate dye curves.
Response curves and the evidence behind the model
Compare manufacturer data with Ashigrain’s response on the same axes. These curves show how the model is calibrated to its sources; they do not establish a match to photographed film.
Characteristic response
RMS granularity
Density variation (σD). Where the datasheet gives a single grain value, the response away from that point is an approximation.
| Channel | Density | Datasheet-based σD | Model σD |
|---|---|---|---|
| R | 0.3 | 0.010706 | 0.010563 |
| G | 0.3 | 0.010288 | 0.010085 |
| B | 0.3 | 0.019077 | 0.01886 |
| R | 0.6 | 0.008123 | 0.008014 |
| G | 0.6 | 0.007988 | 0.007831 |
| B | 0.6 | 0.015065 | 0.014895 |
| R | 1 | 0.006492 | 0.006405 |
| G | 1 | 0.008027 | 0.007869 |
| B | 1 | 0.016896 | 0.016705 |
| R | 1.5 | 0.005512 | 0.005439 |
| G | 1.5 | 0.007453 | 0.007306 |
| B | 1.5 | 0.013816 | 0.01366 |
Model limits
These images show the film model in use. Spectral response, lighting and viewing conditions include approximations. Halation, bloom, grain size, weave and flicker are not fully measured for each film. The look of real film also depends on development and print timing.
- Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are assumptions used by the model, not measurements of this film.
- Colour-print timing and scan balance under arbitrary lighting are modelled. Scanner colour balance has no standard physical unit.
- Conversion-filter spectra (80A for daylight films under tungsten, 85 for tungsten films in daylight) come from separate measured filter data, not from this film’s source. Applying those filters to this film remains modelled.
- The sheet prints no MTF chart. Sharpness is proxied from Kodak Portra 160's fitted MTF, not measured for Gold 200.
- The sheet prints only a Print Grain Index, which Kodak says cannot be compared with RMS granularity. Grain is proxied from Kodak Vision3 250D (5207), so the granularity values shown are that film's, not measurements of Gold 200.
- Only a midscale neutral and a minimum-density spectrum are printed, not separate cyan, magenta and yellow dye spectra. The individual dye shapes are borrowed from Kodak Vision3 250D (5207), a proxy rather than this film's dyes.
- No push or pull data are published. Push amounts, interlayer effects and grain size are approximations.
- The characteristic response beyond log H −3.0 to 0.86 is extrapolated.
- No antihalation layer is named; an undercoat is assumed. Halation strength, radius, layer weights and bloom are not measured.
- The sheet's stated latitude and reciprocity guidance are recorded but not modelled.
- The default output is a scan, as the sheet lists scanning for digital output among its uses. Scan balance has no standard unit and is modelled.
- The printer lamp and filter spectra and the Status A grey aim used in this preview are approximated; the source does not publish the required spectral or laboratory aim data.
Reciprocity: not modelled. Exposure time has no effect on this film.
Film guide: assumptions and practical choices
Sources
- Exposure index: KODAK GOLD 200 Film Technical Data, E-7022, Revised 03-22, p. 1
- Process: KODAK GOLD 200 Film Technical Data, E-7022, Revised 03-22, p. 2
- Characteristic curves: KODAK GOLD 200 Film Technical Data, E-7022, Revised 03-22, p. 4