Colour reversal · Experimental

Polaroid Type 669

Peel-apart instant colour from a ten-shot pack.

Planned media

Soft peel-apart instant colour. Original vs Ashigrain.

Polaroid Type 669

stock
Polaroid Type 669
mode
Reversal
film_format
35mm still (135)

At a glance

Exposure index
80
Daylight
Introduced
1981
Discontinued
Process
instant peel-apart, 60 s at 70 F (21 C)
Prints on
Reversal, viewed directly

About the film

Polaroid Type 669, sold as Polacolor ER, was a peel-apart colour pack film: after 60 seconds' development at 21 °C the print was peeled from its negative.

Polaroid balanced it for daylight and electronic flash at ISO 80 and described it as a medium-contrast print film with extended dynamic range. It came in packs of ten prints of 3¼ × 4¼ inches, glossy or silk, and shared its technical data with Polaroid's other Polacolor peel-apart films, from Type 108 packs to 8 × 10 inch Type 809 sheets. Polaroid aimed it at professional test shots and proofing as well as passport and document photography, through pack backs that medium-format makers such as Hasselblad and Mamiya supplied. Polaroid itself listed image transfer and emulsion transfer among the film's key applications. Its sheet gives a resolving power of just 9 lines per millimetre, so the image is soft. Polaroid's 2008 product schedule gave the last T669 packs for the second half of that year, with expiry dates in March 2009. Polaroid stopped making its instant films soon afterwards, citing market conditions.

Sources for this history
  1. Film Data Sheet T-669 Pack Film, Polaroid Corporation
  2. Last call for Polaroid instant film, better move fast, TechCrunch
  3. Polaroid instant film terminated, PhotoReview
  4. Polaroid Access Fifty Years, Access Press / Polaroid Corporation

The look

A peel-apart instant colour print, viewed like a photograph rather than projected, with medium contrast and extended range. Its image is soft, with a resolving power of just 9 lines per millimetre.

Planned media

A soft instant print, seen by reflected light.

Polaroid Type 669

stock
Polaroid Type 669
mode
Reversal
film_format
35mm still (135)

Planned media

Instant colour with low resolution.

Polaroid Type 669

stock
Polaroid Type 669
mode
Reversal
film_format
35mm still (135)

Best for

  1. Snapshot-style portraits
  2. Close-up still lifes
  3. Studio test-shot looks

Among the films

FilmSpeedGrain, RMS σD · lower is finerYears made
Technicolor Process IITechnicolor Process II−2⅓ stops vs Polaroid Type 669 · grain finerEI 16−2⅓ stops.0201922
DS-5MDS-5M−1 stop vs Polaroid Type 669 · grain finerEI 40−1 stop.0051979
Kodak Aerochrome III 1443Kodak Aerochrome III 1443−1 stop vs Polaroid Type 669 · grain the sameEI 40−1 stop.0242001
Kodak Vision3 50DKodak Vision3 50DMade since 2011, in production · −⅔ stop vs Polaroid Type 669 · grain finerEI 50−⅔ stop.0052011–
Fujifilm Velvia 50Fujifilm Velvia 50Made since 2007, in production · −⅔ stop vs Polaroid Type 669 · grain finerEI 50−⅔ stop.0092007–
Agfa Agfacolor Ultra 50Agfa Agfacolor Ultra 50−⅔ stop vs Polaroid Type 669 · grain finerEI 50−⅔ stop.0051995
Kodak Kodachrome 64Kodak Kodachrome 64Made 1974–2009 · −⅓ stop vs Polaroid Type 669 · grain finerEI 64−⅓ stop.0121974–2009
Fujifilm Fujichrome 64T Type IIFujifilm Fujichrome 64T Type II−⅓ stop vs Polaroid Type 669 · grain finerEI 64−⅓ stop.0102002
Ilford Ortho PlusIlford Ortho PlusMade since 1997, in production · same speed vs Polaroid Type 669 · grain finerEI 80same speed.0151997–
Polaroid Type 669Polaroid Type 669this filmEI 80this film.0241981
Svema LN-9Svema LN-9+⅓ stop vs Polaroid Type 669 · grain finerEI 95+⅓ stop.0071988
Fujifilm Astia 100FFujifilm Astia 100FMade 2003–2012 · +⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0082003–12
Agfa Agfachrome RSX II 100Agfa Agfachrome RSX II 100+⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0121998
Agfa Agfacolor Optima II 100Agfa Agfacolor Optima II 100+⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0051998
Kodak Ektar 100Kodak Ektar 100Made since 2008, in production · +⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0052008–
Kodak Ektachrome 100DKodak Ektachrome 100DMade since 2018, in production · +⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0142018–
Fomapan R 100Fomapan R 100Made since 1980, in production · +⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0221980–
NK-2NK-2+⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0131980
Fujifilm FP-100CFujifilm FP-100CMade 1992–2016 · +⅓ stop vs Polaroid Type 669 · grain finerEI 100+⅓ stop.0231992–2016
Eastman Color Negative 5247Eastman Color Negative 5247+⅔ stop vs Polaroid Type 669 · grain finerEI 125+⅔ stop.0051983
Agfa Agfacolor Portrait XPS 160Agfa Agfacolor Portrait XPS 160+1 stop vs Polaroid Type 669 · grain finerEI 160+1 stop.0071995
Kodak Vision3 200TKodak Vision3 200TMade since 2010, in production · +1⅓ stops vs Polaroid Type 669 · grain finerEI 200+1⅓ stops.0072010–
Kodak Tri-X Reversal 7266Kodak Tri-X Reversal 7266Made since 2003, in production · +1⅓ stops vs Polaroid Type 669 · grain coarserEI 200+1⅓ stops.0252003–
Kodak Vision3 250DKodak Vision3 250DMade since 2009, in production · +1⅔ stops vs Polaroid Type 669 · grain finerEI 250+1⅔ stops.0072009–
Fujifilm Eterna 250DFujifilm Eterna 250DMade 2005–2013 · +1⅔ stops vs Polaroid Type 669 · grain finerEI 250+1⅔ stops.0042005–13
Kodak Aerocolor IV 2460Kodak Aerocolor IV 2460Made since 2009, in production · +1⅔ stops vs Polaroid Type 669 · grain finerEI 250+1⅔ stops.0132009–
Eastman Double-X 5222Eastman Double-X 5222Made since 1960, in production · +1⅔ stops vs Polaroid Type 669 · grain finerEI 250+1⅔ stops.0151960–
Fujifilm Pro 400HFujifilm Pro 400HMade 2004–2021 · +2⅓ stops vs Polaroid Type 669 · grain finerEI 400+2⅓ stops.0042004–21
Kodak Vision3 500TKodak Vision3 500TMade since 2007, in production · +2⅔ stops vs Polaroid Type 669 · grain finerEI 500+2⅔ stops.0072007–
Kodak Vision2 Expression 500TKodak Vision2 Expression 500T+2⅔ stops vs Polaroid Type 669 · grain finerEI 500+2⅔ stops.0092003
Fujifilm Eterna 500Fujifilm Eterna 500Made 2004–2013 · +2⅔ stops vs Polaroid Type 669 · grain finerEI 500+2⅔ stops.0042004–13
Fujifilm Eterna Vivid 500Fujifilm Eterna Vivid 500Made 2009–2013 · +2⅔ stops vs Polaroid Type 669 · grain finerEI 500+2⅔ stops.0042009–13
Kodak Portra 800Kodak Portra 800Made since 2000, in production · +3⅓ stops vs Polaroid Type 669 · grain finerEI 800+3⅓ stops.0082000–
Kodak T-Max P3200Kodak T-Max P3200Made since 1988, in production · +3⅓ stops vs Polaroid Type 669 · grain finerEI 800+3⅓ stops.0191988–
Kodak Ektachrome P1600Kodak Ektachrome P1600+4⅓ stops vs Polaroid Type 669 · grain coarserEI 1600+4⅓ stops.0381999

Science & sources

Polaroid Type 669 calibration chart: OriginalPolaroid Type 669 calibration chart: Processed
Synthetic test chart (grey ramp, ColorChecker, hue sweep, point highlights) before and after the full Ashigrain pipeline: reversal branch, Super 35 4-perf, default controls, exposure +0.71 stops to match the original's mid-grey, frame 0.

A peel-apart instant colour print, viewed by reflected light under D50. Its dye shapes are borrowed from Fujifilm FP-100C and its sharpness is built from the printed resolving power, because the sheet publishes neither.

Response curves and the evidence behind the model

Compare manufacturer data with the Ashigrain model on the same axes. This shows the calibration to source curves; comparison with photographed film is a separate question.

Characteristic response

Density against log H (lux-seconds) for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are digitised, open markers and dashed lines are simulated: digitised and simulated.−3.0−2.0−1.00.01.0log H (lux-seconds)0.00.51.01.52.02.5Density

RMS granularity

RMS granularity (σD) against Density for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are datasheet-based, open markers and dashed lines are simulated: datasheet-based and simulated.0.00.51.01.52.0Density0.00.020.040.060.08RMS granularity (σD)

Density variation (σD). Where the datasheet gives a single grain value, the response away from that point is an approximation.

ChannelDensityDatasheet-based σDModel σD
R0.30.0109420.011382
G0.30.0063960.006668
B0.30.0160210.016612
R0.60.0188760.019636
G0.60.0124730.013002
B0.60.0281250.029163
R10.0295920.030783
G10.0226140.023573
B10.0590210.061198
R1.50.028490.029637
G1.50.0314240.032757
G20.0335380.034961

Model limits

These images show the film model in use. Spectral response, lighting and viewing conditions include approximations, while halation, bloom, grain size, weave and flicker are not fully measured for each film. A real film capture also depends on development and print timing.

  • This is an instant print viewed by reflected light. The model views it under D50; the viewing light, viewing geometry, paper scattering and surface glare are not measured and are approximated.
  • The sheet prints no dye curves. The dye shapes are proxied from Fujifilm FP-100C's reflection dyes, a proxy rather than this film's dyes.
  • No MTF is printed. The MTF is built from the printed resolving power, 9 lines/mm, as a curve falling to 10 % there; the 10 % level is an assumption.
  • Densities are relative to the unprocessed print; paper white is taken as density 1.0 by approximation.
  • No granularity is printed. Grain is proxied from Kodak Ektachrome 100D (5294), so the granularity values shown are that film's.
  • Under custom lights the fast rendering path follows the full spectral calculation less closely for this film than for most others.
  • Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are modeled assumptions, not measurements of this film.
  • Individual dye amounts, layer interactions and push/pull behaviour are approximated where the datasheet provides no calibration. Grain size is assumed; published RMS granularity does not specify dye-cloud size.
  • Push and pull have no published curves for this film and use a generic model.
  • Characteristic response outside the published exposure range is an extrapolation, not measured film data.

Film guide: assumptions and practical choices

Sources

  1. Exposure index: Polaroid T-669 Film Data Sheet (T-88, T-108, T-669/T-669S, T-559/T-559S, T-59, T-809 Instant Color Peel-Apart Films), undated Polaroid data sheet; PDF created 1999-06-24, modified 2003-07-15 (PageMaker 6.52 / Distiller 4.0), p. 1
  2. Process: Polaroid T-669 Film Data Sheet (T-88, T-108, T-669/T-669S, T-559/T-559S, T-59, T-809 Instant Color Peel-Apart Films), undated Polaroid data sheet; PDF created 1999-06-24, modified 2003-07-15 (PageMaker 6.52 / Distiller 4.0), p. 1
  3. Characteristic curves: Polaroid T-669 Film Data Sheet (T-88, T-108, T-669/T-669S, T-559/T-559S, T-59, T-809 Instant Color Peel-Apart Films), undated Polaroid data sheet; PDF created 1999-06-24, modified 2003-07-15 (PageMaker 6.52 / Distiller 4.0), p. 2

Bring this film into your grade.

Every film is included in one purchase, with no subscription.

€99 + VAT