Colour reversal · Experimental

Fujifilm FP-100C

The last peel-apart instant colour film.

Planned media

Peel-apart instant colour. Original vs Ashigrain.

Fujifilm FP-100C

stock
Fujifilm FP-100C
mode
Reversal
film_format
35mm still (135)

At a glance

Exposure index
100
Daylight
Introduced
c. 1992
Discontinued 2016
Process
instant peel-apart, 90 s at 25 C (77 F)
Prints on
Reversal, viewed directly

About the film

When Fujifilm announced on 29 February 2016 that it would stop selling FP-100C once its stock ran out, peel-apart instant photography lost its last film.

It had kept old Polaroid pack-film cameras working after Polaroid stopped making film, and its end also ended the working life of those Type 100 cameras. Fujifilm blamed sales that had fallen sharply year after year, leaving it unable to keep producing the film. Each exposure used two sheets: a light-sensitive sheet carrying the emulsion and dye layers, and an image-receiving sheet on resin-coated paper, peeled apart after development. Rated ISO 100 for daylight or flash, it developed in 90 seconds at 25 °C and was sold in the 3¼ × 4¼-inch pack size, with a silk-surface version and a 4 × 5-inch film. By 2016 only the pack size was still on sale, the 4 × 5 version having been dropped. Fujifilm's bulletin gives a resolving power of 15 lines/mm, so the prints are soft. The paper negative left after peeling could be reclaimed by clearing its black backing with household bleach and then printed.

Sources for this history
  1. FUJIFILM FP-100C Professional Instant Color Film data sheet (AF3-129E), FUJIFILM Corporation
  2. インスタントカラーフィルム「FP-100C」販売終了のお知らせ, 富士フイルム株式会社
  3. End of an era: Fujifilm to discontinue FP-100C instant film, DPReview
  4. Peel apart instant film returns in the form of ONE INSTANT, DPReview
  5. Fujifilm finally finished sales of instant camera film "FP-100C", GIGAZINE
  6. Photo93: the annual of the British Journal of Photography, Bouverie Publishing (British Journal of Photography)

The look

Fujifilm FP-100C is a peel-apart instant colour print rated ISO 100 for daylight or flash, seen by reflected light. Its image is soft, with a resolving power of 15 lines/mm, and bright in colour. It is shown directly, with no print stage.

Planned media

A soft instant print in daylight.

Fujifilm FP-100C

stock
Fujifilm FP-100C
mode
Reversal
film_format
35mm still (135)

Planned media

Bright, soft-edged instant colour.

Fujifilm FP-100C

stock
Fujifilm FP-100C
mode
Reversal
film_format
35mm still (135)

Best for

  1. Instant portraits in daylight or flash
  2. Snapshots in Polaroid pack cameras
  3. Soft, bright travel prints

Among the films

FilmSpeedGrain, RMS σD · lower is finerYears made
Technicolor Process IITechnicolor Process II−2⅔ stops vs Fujifilm FP-100C · grain finerEI 16−2⅔ stops.0201922
DS-5MDS-5M−1⅓ stops vs Fujifilm FP-100C · grain finerEI 40−1⅓ stops.0051979
Kodak Aerochrome III 1443Kodak Aerochrome III 1443−1⅓ stops vs Fujifilm FP-100C · grain coarserEI 40−1⅓ stops.0242001
Kodak Vision3 50DKodak Vision3 50DMade since 2011, in production · −1 stop vs Fujifilm FP-100C · grain finerEI 50−1 stop.0052011–
Fujifilm Velvia 50Fujifilm Velvia 50Made since 2007, in production · −1 stop vs Fujifilm FP-100C · grain finerEI 50−1 stop.0092007–
Agfa Agfacolor Ultra 50Agfa Agfacolor Ultra 50−1 stop vs Fujifilm FP-100C · grain finerEI 50−1 stop.0051995
Kodak Kodachrome 64Kodak Kodachrome 64Made 1974–2009 · −⅔ stop vs Fujifilm FP-100C · grain finerEI 64−⅔ stop.0121974–2009
Fujifilm Fujichrome 64T Type IIFujifilm Fujichrome 64T Type II−⅔ stop vs Fujifilm FP-100C · grain finerEI 64−⅔ stop.0102002
Ilford Ortho PlusIlford Ortho PlusMade since 1997, in production · −⅓ stop vs Fujifilm FP-100C · grain finerEI 80−⅓ stop.0151997–
Polaroid Type 669Polaroid Type 669−⅓ stop vs Fujifilm FP-100C · grain coarserEI 80−⅓ stop.0241981
Svema LN-9Svema LN-9same speed vs Fujifilm FP-100C · grain finerEI 95same speed.0071988
Fujifilm Astia 100FFujifilm Astia 100FMade 2003–2012 · same speed vs Fujifilm FP-100C · grain finerEI 100same speed.0082003–12
Agfa Agfachrome RSX II 100Agfa Agfachrome RSX II 100same speed vs Fujifilm FP-100C · grain finerEI 100same speed.0121998
Agfa Agfacolor Optima II 100Agfa Agfacolor Optima II 100same speed vs Fujifilm FP-100C · grain finerEI 100same speed.0051998
Kodak Ektar 100Kodak Ektar 100Made since 2008, in production · same speed vs Fujifilm FP-100C · grain finerEI 100same speed.0052008–
Kodak Ektachrome 100DKodak Ektachrome 100DMade since 2018, in production · same speed vs Fujifilm FP-100C · grain finerEI 100same speed.0142018–
Fomapan R 100Fomapan R 100Made since 1980, in production · same speed vs Fujifilm FP-100C · grain finerEI 100same speed.0221980–
NK-2NK-2same speed vs Fujifilm FP-100C · grain finerEI 100same speed.0131980
Fujifilm FP-100CFujifilm FP-100CMade 1992–2016 · this filmEI 100this film.0231992–2016
Eastman Color Negative 5247Eastman Color Negative 5247+⅓ stop vs Fujifilm FP-100C · grain finerEI 125+⅓ stop.0051983
Agfa Agfacolor Portrait XPS 160Agfa Agfacolor Portrait XPS 160+⅔ stop vs Fujifilm FP-100C · grain finerEI 160+⅔ stop.0071995
Kodak Vision3 200TKodak Vision3 200TMade since 2010, in production · +1 stop vs Fujifilm FP-100C · grain finerEI 200+1 stop.0072010–
Kodak Tri-X Reversal 7266Kodak Tri-X Reversal 7266Made since 2003, in production · +1 stop vs Fujifilm FP-100C · grain coarserEI 200+1 stop.0252003–
Kodak Vision3 250DKodak Vision3 250DMade since 2009, in production · +1⅓ stops vs Fujifilm FP-100C · grain finerEI 250+1⅓ stops.0072009–
Fujifilm Eterna 250DFujifilm Eterna 250DMade 2005–2013 · +1⅓ stops vs Fujifilm FP-100C · grain finerEI 250+1⅓ stops.0042005–13
Kodak Aerocolor IV 2460Kodak Aerocolor IV 2460Made since 2009, in production · +1⅓ stops vs Fujifilm FP-100C · grain finerEI 250+1⅓ stops.0132009–
Eastman Double-X 5222Eastman Double-X 5222Made since 1960, in production · +1⅓ stops vs Fujifilm FP-100C · grain finerEI 250+1⅓ stops.0151960–
Fujifilm Pro 400HFujifilm Pro 400HMade 2004–2021 · +2 stops vs Fujifilm FP-100C · grain finerEI 400+2 stops.0042004–21
Kodak Vision3 500TKodak Vision3 500TMade since 2007, in production · +2⅓ stops vs Fujifilm FP-100C · grain finerEI 500+2⅓ stops.0072007–
Kodak Vision2 Expression 500TKodak Vision2 Expression 500T+2⅓ stops vs Fujifilm FP-100C · grain finerEI 500+2⅓ stops.0092003
Fujifilm Eterna 500Fujifilm Eterna 500Made 2004–2013 · +2⅓ stops vs Fujifilm FP-100C · grain finerEI 500+2⅓ stops.0042004–13
Fujifilm Eterna Vivid 500Fujifilm Eterna Vivid 500Made 2009–2013 · +2⅓ stops vs Fujifilm FP-100C · grain finerEI 500+2⅓ stops.0042009–13
Kodak Portra 800Kodak Portra 800Made since 2000, in production · +3 stops vs Fujifilm FP-100C · grain finerEI 800+3 stops.0082000–
Kodak T-Max P3200Kodak T-Max P3200Made since 1988, in production · +3 stops vs Fujifilm FP-100C · grain finerEI 800+3 stops.0191988–
Kodak Ektachrome P1600Kodak Ektachrome P1600+4 stops vs Fujifilm FP-100C · grain coarserEI 1600+4 stops.0381999

Science & sources

Fujifilm FP-100C calibration chart: OriginalFujifilm FP-100C calibration chart: Processed
Synthetic test chart (grey ramp, ColorChecker, hue sweep, point highlights) before and after the full Ashigrain pipeline: reversal branch, Super 35 4-perf, default controls, exposure +0.54 stops to match the original's mid-grey, frame 0.

A peel-apart instant colour print, viewed by reflected light under D50. Its sharpness is built from the printed resolving power, because the bulletin publishes no MTF.

Response curves and the evidence behind the model

Compare manufacturer data with the Ashigrain model on the same axes. This shows the calibration to source curves; comparison with photographed film is a separate question.

Characteristic response

Density against log H (lux-seconds) for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are digitised, open markers and dashed lines are simulated: digitised and simulated.−3.0−2.5−2.0−1.5−1.0−0.50.00.5log H (lux-seconds)0.00.51.01.52.02.5Density

RMS granularity

RMS granularity (σD) against Density for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are datasheet-based, open markers and dashed lines are simulated: datasheet-based and simulated.0.00.51.01.52.0Density0.00.020.040.06RMS granularity (σD)

Density variation (σD). Where the datasheet gives a single grain value, the response away from that point is an approximation.

ChannelDensityDatasheet-based σDModel σD
R0.30.0090860.009452
G0.30.0062720.006538
B0.30.0110840.011493
R0.60.0166790.01735
G0.60.0120960.012609
B0.60.0253560.026292
R10.0264090.027471
G10.0223090.023256
B10.0435390.045146
R1.50.0307360.031973
G1.50.0309390.032252
B1.50.0572010.059311
R20.028490.029637
G20.0335380.034961

Model limits

These images show the film model in use. Spectral response, lighting and viewing conditions include approximations, while halation, bloom, grain size, weave and flicker are not fully measured for each film. A real film capture also depends on development and print timing.

  • This is an instant print viewed by reflected light. The model views it under D50; the viewing light, viewing geometry, paper scattering and surface glare are not measured and are approximated.
  • The reflection dye curves are printed without a scale. Each is normalised to its peak, and the dye scales are fitted to a neutral.
  • No MTF is printed. The MTF is built from the printed resolving power, 15 lines/mm, as a curve falling to 10 % there; the 10 % level is an assumption.
  • The spectral sensitivity is printed only near each layer's peak.
  • No granularity is printed. Grain is proxied from Kodak Ektachrome 100D (5294), so the granularity values shown are that film's.
  • Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are modeled assumptions, not measurements of this film.
  • Individual dye amounts, layer interactions and push/pull behaviour are approximated where the datasheet provides no calibration. Grain size is assumed; published RMS granularity does not specify dye-cloud size.
  • Push and pull have no published curves for this film and use a generic model.
  • Characteristic response outside the published exposure range is an extrapolation, not measured film data.

Film guide: assumptions and practical choices

Sources

  1. Exposure index: FUJIFILM FP-100C Professional Instant Color Film data sheet (AF3-129E), AF3-129E (code read from the page images); PDF created 2003-04-15 (Mac OS X Quartz scan), p. 1
  2. Process: FUJIFILM FP-100C Professional Instant Color Film data sheet (AF3-129E), AF3-129E (code read from the page images); PDF created 2003-04-15 (Mac OS X Quartz scan), p. 2
  3. Characteristic curves: FUJIFILM FP-100C Professional Instant Color Film data sheet (AF3-129E), AF3-129E (code read from the page images); PDF created 2003-04-15 (Mac OS X Quartz scan), p. 5

Bring this film into your grade.

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€99 + VAT