Black-and-white reversal · Black & white
Fomapan R 100
Czech reversal film: the camera original is projected.
Black-and-white reversal, viewed directly. Original vs Ashigrain.
At a glance
- Exposure index
- 100
- Introduced
- by 1980
- In production
- Process
- R-100
- Prints on
- Reversal, viewed directly
About the film
Fomapan R 100 is a black-and-white reversal film from Foma in Hradec Králové, made both for slides and for movies; as a reversal film, the film that ran through the camera is the one that is projected.
By Foma's account the company was founded in 1921; the city's architecture guide traces it to a Prague maker of IBIS-brand photographic materials that moved to Plotiště nad Labem as Fotochema in the early 1920s and exported under the Foma name. The works came to make plates, papers, roll films and cine films, and the state enterprise was privatised in 1995 as FOMA BOHEMIA. Foma's January 2025 sheet rates the film ISO 100 in its own R-100 process, which uses the same Fomadon LQR developer for the first and second development at 20 °C. The full process takes about 100 minutes before drying, with a re-exposure to light or a reversal bath between the two developments, and the film must stay in total darkness or infrared light until that point. Foma makes it in 16 mm, in double 8 mm with standard or super perforation, and in 135-36 cartridges for 36 slides. A very efficient antihalation layer between base and emulsion clears in processing, and Foma credits it for the film's resolving power and edge sharpness. Foma describes the film as separating fine grey tones well in both highlights and shadows.
Sources for this history
- FOMAPAN R Black-and-white reversal film (technical data sheet, 01/2025), FOMA BOHEMIA
- O nás (Historie), FOMA BOHEMIA
- Fotochema, KAM Hradec Králové
- Seznam výrobků Foma (1980), Fotochema, n. p., Hradec Králové
The look
Fomapan R 100 is a panchromatic black-and-white reversal film from Foma in Hradec Králové. The processed camera film is itself the positive, shown directly with no print stage, and Foma tunes it for fine grey separation in both highlights and shadows.
Home-movie black-and-white.
Contrasty reversal tones.
Best for
- Double 8 and 16 mm home-movie footage
- Black-and-white slides for projection
- Daylight street scenes with strong shadows
Among the films
Science & sources


A black-and-white reversal film with an exposure index of 100. Its positive image is shown directly, without a separate print stage. Its grain is borrowed from Kodak Tri-X Reversal 7266.
Response curves and the evidence behind the model
Compare manufacturer data with the Ashigrain model on the same axes. This shows the calibration to source curves; comparison with photographed film is a separate question.
Characteristic response
RMS granularity
Density variation (σD). Where the datasheet gives a single grain value, the response away from that point is an approximation.
| Channel | Density | Datasheet-based σD | Model σD |
|---|---|---|---|
| N | 0.3 | 0.007345 | 0.007622 |
| N | 0.6 | 0.013091 | 0.013583 |
| N | 1 | 0.021261 | 0.022061 |
| N | 1.5 | 0.037489 | 0.0389 |
| N | 2 | 0.045796 | 0.04752 |
Model limits
These images show the film model in use. Spectral response, lighting and viewing conditions include approximations, while halation, bloom, grain size, weave and flicker are not fully measured for each film. A real film capture also depends on development and print timing.
- Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are modeled assumptions, not measurements of this film.
- The source gives a daylight exposure index but no colour balance. Daylight calibration and spectrally neutral silver density are assumptions; the single-layer halation response is not measured.
- The source gives RMS granularity 13.0 measured at gamma 1.1, with no aperture or density. Grain is proxied from Kodak Tri-X Reversal 7266, so the granularity values shown are that film's.
- The spectral sensitivity chart has no printed scale; its shape is used relative to its own peak.
- The curve uses a relative exposure axis; its normal-exposure point is assumed.
- The text gives a gradation of 1.1, but the printed curve is steeper, about 1.6; the printed curve is used.
- Push and pull have no published curves for this film and use a generic model.
- Under custom lights the fast rendering path follows the full spectral calculation less closely for this film than for most others.
- Characteristic response outside the published exposure range is an extrapolation, not measured film data.
Film guide: assumptions and practical choices
Sources
- Characteristic curves: FOMAPAN R 100 technical data sheet, FOMA 01/25, p. 1
- Diffuse RMS granularity: FOMAPAN R 100 technical data sheet, FOMA 01/25, p. 1
- Exposure index: FOMAPAN R 100 technical data sheet, FOMA 01/25, p. 1
- Process: FOMAPAN R 100 technical data sheet, FOMA 01/25, p. 1