Black-and-white negative · Black & white
Kodak Tri-X 400
The photojournalist's fast black-and-white classic since 1954.
Kodak Tri-X 400 printed on Kodak 2302: the classic 400-speed black-and-white film. Original vs Ashigrain.
At a glance
- Exposure index
- 400
- Introduced
- 1954
- In production
- Process
- KODAK PROFESSIONAL T-MAX Developer, small tank, agitation at 30-second intervals, 20 C (68 F), 6 min
About the film
Kodak Tri-X 400, code 400TX, is a high-speed panchromatic black-and-white negative in 135 and 120, recommended for push processing.
Kodak dates the 35 mm and roll-film Tri-X to 1954: its press release of February 2004 marked fifty years since TRI-X Roll Film came out in 135 and 120 on 1 November 1954, and Shutterbug's anniversary feature that year said the film had been sold only as sheet film until then. Shutterbug placed Tri-X in Kodak's series of X films that began with Panatomic-X, and its author wrote that the film of 2004 differed completely from the earlier Tri-X after several revisions. WIRED described it as the black-and-white film photojournalists turned to soon after its 35 mm launch, valued for its wide latitude. Kodak's June 1999 sheet documented it as Tri-X Pan Film, ISO 400, already recommended for push processing, alongside the ISO 320 Tri-X Pan Professional films. In May 2007 Kodak issued a new sheet, saying production was moving to a more advanced coating facility and that new technology applied to the long-established emulsions changed processing times slightly while giving the same results. That sheet's MTF and spectral-sensitivity curves were made with the older Tri-X Pan Film 5063, which Kodak said early data suggested also applied to the new films. Kodak Alaris's current sheet, of October 2021, lists Tri-X 400 in 135 and 120 for dim light, fast action and push processing.
Sources for this history
- KODAK PROFESSIONAL TRI-X 320 and 400 Films Technical Data (F-4017, October 2021), Kodak Alaris Inc.
- KODAK PROFESSIONAL TRI-X 320 and 400 Films Technical Data (F-4017, May 2007), Eastman Kodak Company
- KODAK TRI-X Pan and KODAK TRI-X Pan Professional Films Technical Data (F-9, June 1999), Eastman Kodak Company
- Kodak Celebrates 50 Years of TRI-X (press release, February 2004), Eastman Kodak Company
- 35mm Tri-X Celebrates Its 50th, Shutterbug
- The Kodak Film That's Been Capturing History for 61 Years, WIRED
The look
Kodak Tri-X 400 is a high-speed panchromatic black-and-white negative made for dim light, fast action and push processing, where pushing adds contrast and grain. It prints on Kodak B&W Print Film 2302 by default, or on a colour print film for a near-neutral image with the print's own tint.






Best for
- Street and documentary work in dim light
- Fast action with deep depth of field
- Pushed night scenes with gritty grain
Compare camera films
Science & sources


A fast panchromatic black-and-white negative rated at EI 400. Its curves, spectral sensitivity and MTF are digitised from Kodak Alaris's 2021 sheet, whose MTF and spectral charts match those Kodak's 2007 edition says were made with the older Tri-X Pan 5063. Its grain is built from the sheet's single RMS granularity value, and the EI 1600 push uses the sheet's 9 minute curve. It prints on Kodak B&W Print Film 2302 by default.
Response curves and the evidence behind the model
Compare manufacturer data with Ashigrain’s response on the same axes. These curves show how the model is calibrated to its sources; they do not establish a match to photographed film.
Characteristic response
RMS granularity
Density variation (σD) measured through a 48 µm aperture. Where the datasheet gives a single grain value, the response away from that point is an approximation.
| Channel | Density | Datasheet-based σD | Model σD |
|---|---|---|---|
| N | 0.3 | 0.009311 | 0.009176 |
| N | 0.6 | 0.013168 | 0.012976 |
| N | 1 | 0.017 | 0.016752 |
| N | 1.5 | 0.020821 | 0.020517 |
Model limits
These images show the film model in use. Spectral response, lighting and viewing conditions include approximations. Halation, bloom, grain size, weave and flicker are not fully measured for each film. The look of real film also depends on development and print timing.
- Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are assumptions used by the model, not measurements of this film.
- The source gives a daylight exposure index but no colour balance. Daylight calibration and spectrally neutral silver density are assumptions.
- The source gives only diffuse RMS granularity 17 × 10⁻³ at net density 1.0, measured after HC-110 development rather than the T-MAX Developer of the characteristic curves. The response away from that point and the silver-clump size are modelled.
- Kodak's 2007 sheet says its MTF and spectral-sensitivity charts were made with the older Tri-X Pan Film 5063. The current sheet's charts match those drawings, so the sharpness and spectral response modelled here may predate the current emulsion.
- The EI 1600 push uses the chart's 9 minute curve, against the development table's 8¾ minutes; EI 800 uses the normal curve, and other push amounts use a generic model.
- The printed MTF rises above 100 %, which the model renders as a development adjacency effect. Its width, amplitude and dependence on density and development are not published and are approximated.
- The sheet prints reciprocity corrections at a few exposure times; the correction between them is interpolated.
- The sheet names no antihalation layer; an undercoat is assumed, and the single-layer halation response is not measured.
- The characteristic response beyond log H −3.45 to 0.35 is extrapolated.
- In the print branch it prints on Kodak B&W Print Film 2302 by default. Black-and-white print timing is modelled.
Reciprocity: modelled from 1/100000 s to 100 s, following the datasheet's corrections for long and short exposures. Exposure time stops at the ends of that range.
Film guide: assumptions and practical choices
Sources
- Process: KODAK PROFESSIONAL TRI-X 320 and 400 Films Technical Data, F-4017, Revised 10-21, p. 3
- Diffuse RMS granularity: KODAK PROFESSIONAL TRI-X 320 and 400 Films Technical Data, F-4017, Revised 10-21, p. 7
- Exposure index: KODAK PROFESSIONAL TRI-X 320 and 400 Films Technical Data, F-4017, Revised 10-21, p. 7
- Characteristic curves: KODAK PROFESSIONAL TRI-X 320 and 400 Films Technical Data, F-4017, Revised 10-21, p. 8