Colour reversal · Vintage
Kodak Ektachrome 100 Plus (EPP)
Controlled-light slides with gentler highlight contrast.
Kodak Ektachrome 100 Plus (EPP) in Reversal mode. Original vs Ashigrain.
At a glance
- Exposure index
- 100
- Daylight
- Introduced
- c. 1988
- Discontinued
- Process
- E-6
- Prints on
- Reversal, viewed directly
About the film
Kodak Ektachrome 100 Plus Professional Film is a daylight-balanced, 100-speed colour transparency film identified by the code EPP. The Timeline of Historical Film Colors dates this product to about 1988.
Kodak intended it for fashion, advertising and industrial work under controlled daylight or electronic flash. The maker described increased saturation, balanced neutral and skin tones, and lower highlight contrast as design characteristics. Its technical sheet also lists projection, reproduction and scanning as uses. The July 2007 sheet lists acetate supports for 135, long rolls, 120 and 220, and an ESTAR Thick Base for sheet film. It was documented by Eastman Kodak Company and processed in E-6. The film is discontinued, but the single historical dating source read does not independently establish its final production year.
Sources for this history
- KODAK EKTACHROME 100 Plus Professional Film Technical Data, Eastman Kodak Company
- Kodak Ektachrome 100 Plus Professional Film, Timeline of Historical Film Colors, University of Zurich
The look
Kodak Ektachrome 100 Plus, coded EPP, is a daylight ISO 100 slide film for controlled daylight or electronic flash. Kodak described stronger saturation with balanced skin tones and gentler highlight contrast. It defaults to Reversal mode; its single visual MTF curve is applied to every layer.






Best for
- Controlled-light fashion photographs
- Advertising and industrial subjects
- Slides for projection or reproduction
Compare camera films
Science & sources


Tone and individual dye curves come from Kodak's July 2007 E-113 sheet. Its visual MTF is shared across the layers, including a modelled adjacency effect above 100 %. Grain is derived from EPP's own gross-density RMS 11 headline, not a measured grain curve; push and pull use a generic model.
Response curves and the evidence behind the model
Compare manufacturer data with Ashigrain’s response on the same axes. These curves show how the model is calibrated to its sources; they do not establish a match to photographed film.
Characteristic response
RMS granularity
Density variation (σD) measured through a 48 µm aperture. Where the datasheet gives a single grain value, the response away from that point is an approximation.
| Channel | Density | Datasheet-based σD | Model σD |
|---|---|---|---|
| R | 0.3 | 0.008412 | 0.008327 |
| G | 0.3 | 0.005228 | 0.005149 |
| B | 0.3 | 0.007693 | 0.007637 |
| R | 0.6 | 0.015939 | 0.015777 |
| G | 0.6 | 0.010717 | 0.010554 |
| B | 0.6 | 0.019009 | 0.01887 |
| R | 1 | 0.023052 | 0.022818 |
| G | 1 | 0.018452 | 0.018172 |
| B | 1 | 0.032421 | 0.032183 |
| R | 1.5 | 0.035094 | 0.034737 |
| G | 1.5 | 0.027851 | 0.027428 |
| B | 1.5 | 0.048513 | 0.048157 |
| R | 2 | 0.039335 | 0.038935 |
| G | 2 | 0.036048 | 0.035501 |
| B | 2 | 0.073949 | 0.073406 |
Model limits
These images show the film model in use. Spectral response, lighting and viewing conditions include approximations. Halation, bloom, grain size, weave and flicker are not fully measured for each film. The look of real film also depends on development and print timing.
- Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are assumptions used by the model, not measurements of this film.
- Conversion-filter spectra (80A for daylight films under tungsten, 85 for tungsten films in daylight) come from separate measured filter data, not from this film’s source. Applying those filters to this film remains modelled.
- The only grain datum is RMS granularity 11 × 10⁻³ at gross diffuse visual density 1.0, measured with a 48 µm aperture. Conversion to net density and extension with a square-root density law are modelled.
- The source prints one visual MTF curve, not separate red, green and blue curves. The model applies it to all three layers.
- Push and pull have no published curves for this film and use a generic model.
- The printed MTF rises above 100 %, which the model renders as a development adjacency effect. Its width, amplitude and dependence on density and development are not published and are approximated.
- The adjacency fit uses two parameters per layer and cannot follow every printed MTF sample. Its dependence on local density differences is also assumed.
- The sheet prints reciprocity corrections at a few exposure times; the correction between them is interpolated, and the colour-compensating filter it prescribes is taken at its nominal value.
- The 2003 and 2007 editions reuse the same chart artwork. Their agreement bounds extraction and edition differences, not independent film accuracy.
- The physical dye-cloud or grain-clump size is inferred from the film's speed class, not measured for this film.
- Individual dye amounts, layer interactions and push/pull behaviour are approximated where the datasheet provides no calibration. Grain size is assumed; published RMS granularity does not specify dye-cloud size.
- The source names no antihalation layer; an undercoat is inferred rather than documented.
- Characteristic response outside the published exposure range is an extrapolation, not measured film data.
- Halation strength, radius and layer weights are not quantified by the datasheet. The effect of removing antihalation and the bloom response are also approximations.
- The available sources do not measure veiling flare during projection. The model approximates its contribution to lifted blacks on screen, so the result is not a measured projection contrast.
Reciprocity: modelled from 1/10000 s to 100 s, following the datasheet's corrections for long and short exposures. Exposure time stops at the ends of that range.
Film guide: assumptions and practical choices
Sources
- Exposure index: KODAK EKTACHROME 100 Plus Professional Film Technical Data, E-113, July 2007, p. 2
- Process: KODAK EKTACHROME 100 Plus Professional Film Technical Data, E-113, July 2007, p. 3
- Characteristic curves: KODAK EKTACHROME 100 Plus Professional Film Technical Data, E-113, July 2007, p. 5
- Diffuse RMS granularity: KODAK EKTACHROME 100 Plus Professional Film Technical Data, E-113, July 2007, p. 5