Colour reversal · 2000–2005
Fujifilm Velvia 100
Velvia saturation at a stop more speed.
Fuji's 100-speed Velvia slide film: saturated landscape colour. Original vs Ashigrain.
At a glance
- Exposure index
- 100
- Daylight
- Introduced
- 2003
- In production
- Process
- E-6
- Prints on
- Reversal, viewed directly
About the film
Fujichrome Velvia 100 Professional, code RVP100, is a daylight ISO 100 colour reversal film for Process E-6 or Fujifilm's CR-56, distinct from Velvia 100F. Fujifilm dates it to 2003: its research journal says Fuji Photo Film released Velvia 100F, Velvia 100 and Astia 100F that June.
Velvia 100 and Velvia 100F were faster ISO 100 relatives of the original Velvia 50. Fujifilm designed Velvia 100F for very high saturation with faithful hues, and Velvia 100 for saturation in the spirit of the original Velvia, for nature and landscape. To strengthen the reds of sunrise and sunset, it gave Velvia 100 a red-sensitive layer that reaches to longer wavelengths. The English data sheet, dated February 2005, recommends it for scenery, nature and other subjects that want vivid colour, gives an RMS granularity of 8 and credits new cyan, magenta and yellow couplers with image stability like that of Velvia 100F. Fujifilm North America lists Velvia 100 in 35 mm, 120 and sheet sizes.
Sources for this history
- FUJICHROME Velvia 100 Professional [RVP100] Data Sheet (AF3-202E), FUJIFILM Corporation
- 新カラーリバーサルフィルム フジクローム「Velvia 100F/100」,「ASTIA 100F」の開発 (FUJIFILM RESEARCH & DEVELOPMENT No. 49, 2004), FUJIFILM Corporation
- Professional photography film, FUJIFILM North America
The look
Fujichrome Velvia 100 is a daylight colour reversal film rated ISO 100, viewed directly as the positive. Fujifilm designed it for vivid, high-saturation colour in the spirit of the original Velvia 50, with a red-sensitive layer tuned to deepen sunrise and sunset reds.






Best for
- Sunrise and sunset landscapes
- Nature and scenery in vivid colour
- Autumn foliage and flowers
Compare camera films
Science & sources


A daylight colour reversal film rated at ISO 100, shown directly without a print stage. Its curves, spectral sensitivity, single MTF curve, RMS granularity and reciprocity corrections are digitised from Fujifilm's sheet; the one MTF curve is applied to all three layers, and the granularity, printed at a gross density, is converted to net density.
Response curves and the evidence behind the model
Compare manufacturer data with Ashigrain’s response on the same axes. These curves show how the model is calibrated to its sources; they do not establish a match to photographed film.
Characteristic response
RMS granularity
Density variation (σD) measured through a 48 µm aperture. Where the datasheet gives a single grain value, the response away from that point is an approximation.
| Channel | Density | Datasheet-based σD | Model σD |
|---|---|---|---|
| R | 0.3 | 0.005361 | 0.005259 |
| G | 0.3 | 0.003552 | 0.00347 |
| B | 0.3 | 0.005678 | 0.00558 |
| R | 0.6 | 0.010551 | 0.010349 |
| G | 0.6 | 0.007024 | 0.006861 |
| B | 0.6 | 0.014054 | 0.013812 |
| R | 1 | 0.016424 | 0.01611 |
| G | 1 | 0.011127 | 0.010869 |
| B | 1 | 0.024291 | 0.023873 |
| R | 1.5 | 0.023613 | 0.023161 |
| G | 1.5 | 0.017762 | 0.01735 |
| B | 1.5 | 0.036444 | 0.035817 |
| R | 2 | 0.028545 | 0.027998 |
| G | 2 | 0.024898 | 0.024321 |
| B | 2 | 0.054941 | 0.053996 |
Model limits
These images show the film model in use. Spectral response, lighting and viewing conditions include approximations. Halation, bloom, grain size, weave and flicker are not fully measured for each film. The look of real film also depends on development and print timing.
- Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are assumptions used by the model, not measurements of this film.
- Conversion-filter spectra (80A for daylight films under tungsten, 85 for tungsten films in daylight) come from separate measured filter data, not from this film’s source. Applying those filters to this film remains modelled.
- The source prints one visual MTF curve, not separate red, green and blue curves. The model applies it to all three layers.
- The only grain value is RMS granularity 8 × 10⁻³, read at a gross (not net) visual density of 1.0. Its conversion to net density and the response away from that point are modelled.
- The sheet states a push/pull range of −½ to +1 stop, and up to +2 stops depending on the scene, but prints no curves; push and pull use a generic model.
- The sheet prints reciprocity corrections at a few exposure times; the correction between them is interpolated, and the colour-compensating filter it prescribes is taken at its nominal value.
- Individual dye amounts, layer interactions and push/pull behaviour are approximated where the datasheet provides no calibration. Grain size is assumed; published RMS granularity does not specify dye-cloud size.
- Characteristic response outside the published exposure range is an extrapolation, not measured film data.
- The antihalation layer is printed, but halation strength, radius, layer weights and bloom are not measured.
- The available sources do not measure veiling flare during projection. The model approximates its contribution to lifted blacks on screen, so the result is not a measured projection contrast.
Reciprocity: modelled from 1/4000 s to 480 s, following the datasheet's corrections for long and short exposures. Exposure time stops at the ends of that range.
Film guide: assumptions and practical choices
Sources
- Exposure index: FUJICHROME Velvia 100 Professional [RVP100] Data Sheet, AF3-202E (EIGI-05.2-FG(HB)), p. 1
- Process: FUJICHROME Velvia 100 Professional [RVP100] Data Sheet, AF3-202E (EIGI-05.2-FG(HB)), p. 3
- Characteristic curves: FUJICHROME Velvia 100 Professional [RVP100] Data Sheet, AF3-202E (EIGI-05.2-FG(HB)), p. 8
- Diffuse RMS granularity: FUJICHROME Velvia 100 Professional [RVP100] Data Sheet, AF3-202E (EIGI-05.2-FG(HB)), p. 8