Colour negative · 2006 onward

Fujifilm Eterna 250

Warm, smooth Eterna tones at tungsten 250.

Planned media

Fuji Eterna 250 on a tungsten interior, printed on its default Eterna-CP 3513DI. Original vs Ashigrain.

Fujifilm Eterna 250, Fujifilm Eterna-CP 3513DI

stock
Fujifilm Eterna 250
mode
Print
print_film
Fujifilm Eterna-CP 3513DI
film_format
Super 35 (4-perf)

At a glance

Exposure index
250
Tungsten
Introduced
c. 2006
Discontinued
Process
ECN-2
Prints on
3513DI
Fujifilm Eterna-CP 3513DI

About the film

Fujicolor Eterna 250 is a tungsten-balanced colour camera negative rated EI 250, coded Type 8553 in 35 mm and 8653 in 16 mm; Fujifilm's own pages call it simply Eterna 250.

It dates from c. 2006. Fujifilm's 2006 research report places it after Eterna 500, launched in October 2004, as the tungsten 250-speed film that Fuji Photo Film brought to market alongside Eterna 400 and 250D. Fujifilm described it as giving warm colour and smooth gradation for natural face tones, with wide latitude. It was made by Fuji Photo Film, now FUJIFILM Corporation. In October 2012 Film and Digital Times reported that Fujifilm expected to stop making all motion-picture film except black-and-white archival separation film by the end of March 2013. Fujifilm's archived list of discontinued films includes Eterna 250 and dates the end of its production to 31 March 2013, with stock sold until it ran out.

Sources for this history
  1. 映画用カラーネガフィルム ETERNA シリーズの開発 (FUJIFILM RESEARCH & DEVELOPMENT No. 51, 2006), FUJIFILM Corporation
  2. Fuji Eterna 250T 8553 / 8653, Timeline of Historical Film Colors, University of Zurich
  3. Discontinued Films, FUJIFILM Corporation
  4. Fujifilm, Film and Digital Times

The look

Fujifilm Eterna 250 is a tungsten-balanced colour negative rated EI 250, or EI 160 in daylight with an 85 filter. Fujifilm described warm colour, smooth gradation for natural faces and wide latitude. It prints on Fujifilm Eterna-CP 3513DI by default.

Fujifilm Eterna 250 sample frame: OriginalFujifilm Eterna 250 sample frame: Ashigrain
Fujifilm Eterna 250 sample frame: OriginalFujifilm Eterna 250 sample frame: Ashigrain
Fujifilm Eterna 250 sample frame: OriginalFujifilm Eterna 250 sample frame: Ashigrain

Best for

  1. Tungsten interiors with natural faces
  2. Evening scenes under practical light
  3. Cutting with other Eterna stocks

Compare camera films

FilmSpeedGrain, RMS σD · lower means finer grainYears made
CinefotocolorCinefotocolor−5 stops vs Fujifilm Eterna 250 · grain coarserEI 8−5 stops.0191948
GasparcolorGasparcolor−4⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 12−4⅓ stops.0181932
Ansco Color Negative 843Ansco Color Negative 843−4 stops vs Fujifilm Eterna 250 · grain finerEI 16−4 stops.0041951
Gevacolor Negative T 6.51Gevacolor Negative T 6.51−4 stops vs Fujifilm Eterna 250 · grain coarserEI 16−4 stops.0071951
Technicolor Process IITechnicolor Process II−4 stops vs Fujifilm Eterna 250 · grain coarserEI 16−4 stops.0191922
Trucolor (two-colour)Trucolor (two-colour)−4 stops vs Fujifilm Eterna 250 · grain coarserEI 16−4 stops.0191945
ORWOCOLOR UK 14ORWOCOLOR UK 14−3⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 20−3⅔ stops.0111964
Kodak Kodachrome 25Kodak Kodachrome 25−3⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 25−3⅓ stops.0141974
Agfacolor Typ 432Agfacolor Typ 432−3 stops vs Fujifilm Eterna 250 · grain coarserEI 32−3 stops.0071962
Svema DS-5MSvema DS-5M−2⅔ stops vs Fujifilm Eterna 250 · grain the sameEI 40−2⅔ stops.0051979
Kodak Aerochrome III 1443Kodak Aerochrome III 1443−2⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 40−2⅔ stops.0292001
Kodak Vision3 50DKodak Vision3 50DMade since 2011, in production · −2⅓ stops vs Fujifilm Eterna 250 · grain finerEI 50−2⅓ stops.0042011–
Fujifilm Velvia 50Fujifilm Velvia 50Made since 2007, in production · −2⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 50−2⅓ stops.0112007–
Agfa Agfacolor Ultra 50Agfa Agfacolor Ultra 50−2⅓ stops vs Fujifilm Eterna 250 · grain finerEI 50−2⅓ stops.0041995
Agfa Agfachrome RSX II 50Agfa Agfachrome RSX II 50−2⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 50−2⅓ stops.0111998
Konica Impresa 50Konica Impresa 50−2⅓ stops vs Fujifilm Eterna 250 · grain the sameEI 50−2⅓ stops.0051998
DufaycolorDufaycolor−2⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 50−2⅓ stops.0121935
Fujifilm Fujichrome 64T Type IIFujifilm Fujichrome 64T Type II−2 stops vs Fujifilm Eterna 250 · grain coarserEI 64−2 stops.0132002
Kodak Kodachrome 64Kodak Kodachrome 64Made 1974–2009 · −2 stops vs Fujifilm Eterna 250 · grain coarserEI 64−2 stops.0161974–2009
ORWOCOLOR NC 3ORWOCOLOR NC 3−2 stops vs Fujifilm Eterna 250 · grain coarserEI 64−2 stops.0071972
Polaroid Type 669Polaroid Type 669−1⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 80−1⅔ stops.0231981
Ilford Ortho PlusIlford Ortho PlusMade since 1997, in production · −1⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 80−1⅔ stops.0131997–
Svema LN-9Svema LN-9−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 95−1⅓ stops.0071988
Kodak Ektar 100Kodak Ektar 100Made since 2008, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain the sameEI 100−1⅓ stops.0052008–
Kodak Ektachrome 100DKodak Ektachrome 100DMade since 2018, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0132018–
Lucky Super GBR 100Lucky Super GBR 100−1⅓ stops vs Fujifilm Eterna 250 · grain the sameEI 100−1⅓ stops.0052001
Ferrania Solaris FG Plus 100Ferrania Solaris FG Plus 100−1⅓ stops vs Fujifilm Eterna 250 · grain the sameEI 100−1⅓ stops.0052002
Fujifilm Astia 100FFujifilm Astia 100FMade 2003–2012 · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0112003–12
Fujifilm Velvia 100Fujifilm Velvia 100Made since 2003, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0112003–
Kodak Ektachrome E100SKodak Ektachrome E100S−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0151996
Agfa Agfacolor Optima II 100Agfa Agfacolor Optima II 100−1⅓ stops vs Fujifilm Eterna 250 · grain the sameEI 100−1⅓ stops.0051998
Agfa Agfachrome RSX II 100Agfa Agfachrome RSX II 100−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0111998
Kodak Ektachrome E100VSKodak Ektachrome E100VS−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0171998
Fujifilm Provia 100FFujifilm Provia 100FMade since 2000, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0102000–
Gevacolor 682Gevacolor 682−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0061979
Kodak Ektachrome 100 Plus (EPP)Kodak Ektachrome 100 Plus (EPP)−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0181988
Fujifilm FP-100CFujifilm FP-100CMade 1992–2016 · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0221992–2016
Lomography Redscale XR 50-200Lomography Redscale XR 50-200−1⅓ stops vs Fujifilm Eterna 250 · grain the sameEI 100−1⅓ stops.0052025
Fomapan R 100Fomapan R 100Made since 1980, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0211980–
Tasma NK-2Tasma NK-2−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0121980
Kodak T-Max 100Kodak T-Max 100Made since 1986, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0081986–
Ilford Delta 100Ilford Delta 100Made since 1992, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0071992–
Agfa Agfapan APX 100Agfa Agfapan APX 100−1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0071998
Fomapan 100 ClassicFomapan 100 ClassicMade since 2016, in production · −1⅓ stops vs Fujifilm Eterna 250 · grain coarserEI 100−1⅓ stops.0122016–
Eastman Color Negative 5247Eastman Color Negative 5247−1 stop vs Fujifilm Eterna 250 · grain the sameEI 125−1 stop.0051983
Kodak Technical PanKodak Technical Pan−1 stop vs Fujifilm Eterna 250 · grain coarserEI 125−1 stop.0081977
Kodak Portra 160Kodak Portra 160Made since 2011, in production · −⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 160−⅔ stop.0062011–
Agfa Agfacolor Portrait XPS 160Agfa Agfacolor Portrait XPS 160−⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 160−⅔ stop.0061995
Kodak Vision3 200TKodak Vision3 200TMade since 2010, in production · −⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0062010–
Kodak Verita 200DKodak Verita 200DMade since 2026, in production · −⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0062026–
Fujifilm C200Fujifilm C200−⅓ stop vs Fujifilm Eterna 250 · grain the sameEI 200−⅓ stop.0052017
Kodak Gold 200Kodak Gold 200Made since 2007, in production · −⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0082007–
Lucky Super GBR 200Lucky Super GBR 200−⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0072001
Ferrania Solaris FG Plus 200Ferrania Solaris FG Plus 200−⅓ stop vs Fujifilm Eterna 250 · grain the sameEI 200−⅓ stop.0052002
Kodak Ektachrome E200Kodak Ektachrome E200−⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0181997
Agfa Agfachrome RSX II 200Agfa Agfachrome RSX II 200−⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0141998
Kodak Kodachrome 200Kodak Kodachrome 200−⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0271986
Harman Phoenix 200Harman Phoenix 200−⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0072023
Kodak Tri-X Reversal 7266Kodak Tri-X Reversal 7266Made since 2003, in production · −⅓ stop vs Fujifilm Eterna 250 · grain coarserEI 200−⅓ stop.0242003–
Kodak Vision3 250DKodak Vision3 250DMade since 2009, in production · same speed vs Fujifilm Eterna 250 · grain coarserEI 250same speed.0062009–
Fujifilm Eterna 250Fujifilm Eterna 250this filmEI 250this film.0052006
Fujifilm Eterna 250DFujifilm Eterna 250DMade 2005–2013 · same speed vs Fujifilm Eterna 250 · grain the sameEI 250same speed.0052005–13
Kodak Vision 250DKodak Vision 250DMade 1997–2005 · same speed vs Fujifilm Eterna 250 · grain coarserEI 250same speed.0071997–2005
Kodak Aerocolor IV 2460Kodak Aerocolor IV 2460Made since 2009, in production · same speed vs Fujifilm Eterna 250 · grain coarserEI 250same speed.0132009–
Eastman Double-X 5222Eastman Double-X 5222Made since 1960, in production · same speed vs Fujifilm Eterna 250 · grain coarserEI 250same speed.0131960–
ORWO Wolfen NC400ORWO Wolfen NC400+⅔ stop vs Fujifilm Eterna 250 · grain the sameEI 400+⅔ stop.0052022
Kodak Portra 400Kodak Portra 400Made since 2010, in production · +⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0072010–
ORWO Wolfen NC500ORWO Wolfen NC500+⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0062022
Fujifilm Provia 400FFujifilm Provia 400F+⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0172000
Ferrania Solaris FG Plus 400Ferrania Solaris FG Plus 400+⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0062004
Fujifilm Pro 400HFujifilm Pro 400HMade 2004–2021 · +⅔ stop vs Fujifilm Eterna 250 · grain the sameEI 400+⅔ stop.0052004–21
Kodak Ektachrome 400XKodak Ektachrome 400X+⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0371992
Fujifilm Superia X-TRA 400Fujifilm Superia X-TRA 400+⅔ stop vs Fujifilm Eterna 250 · grain the sameEI 400+⅔ stop.0052006
LomoChrome Color '92 Sun-kissedLomoChrome Color '92 Sun-kissed+⅔ stop vs Fujifilm Eterna 250 · grain the sameEI 400+⅔ stop.0052024
Kodak Tri-X 400Kodak Tri-X 400Made since 1954, in production · +⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0171954–
Kodak T-Max 400Kodak T-Max 400Made since 2007, in production · +⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0102007–
Ilford HP5 PlusIlford HP5 PlusMade since 1989, in production · +⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0161989–
Ilford Delta 400Ilford Delta 400Made since 2002, in production · +⅔ stop vs Fujifilm Eterna 250 · grain coarserEI 400+⅔ stop.0102002–
Kodak Vision3 500TKodak Vision3 500TMade since 2007, in production · +1 stop vs Fujifilm Eterna 250 · grain coarserEI 500+1 stop.0072007–
Kodak 500T 5230Kodak 500T 5230+1 stop vs Fujifilm Eterna 250 · grain coarserEI 500+1 stop.0092011
Fujifilm Eterna Vivid 500Fujifilm Eterna Vivid 500Made 2009–2013 · +1 stop vs Fujifilm Eterna 250 · grain the sameEI 500+1 stop.0052009–13
Kodak Vision2 500TKodak Vision2 500T+1 stop vs Fujifilm Eterna 250 · grain coarserEI 500+1 stop.0092009
Fujicolor Reala 500DFujicolor Reala 500D+1 stop vs Fujifilm Eterna 250 · grain the sameEI 500+1 stop.0052001
Kodak Vision2 Expression 500TKodak Vision2 Expression 500T+1 stop vs Fujifilm Eterna 250 · grain coarserEI 500+1 stop.0092003
Fujifilm Eterna 500Fujifilm Eterna 500Made 2004–2013 · +1 stop vs Fujifilm Eterna 250 · grain the sameEI 500+1 stop.0052004–13
Anscochrome D/500Anscochrome D/500+1 stop vs Fujifilm Eterna 250 · grain coarserEI 500+1 stop.0381967
Eastman EXR 500TEastman EXR 500TMade 1989–1995 · +1 stop vs Fujifilm Eterna 250 · grain coarserEI 500+1 stop.0081989–95
Kodak Portra 800Kodak Portra 800Made since 2000, in production · +1⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 800+1⅔ stops.0092000–
Ferrania Solaris FG Plus 800Ferrania Solaris FG Plus 800+1⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 800+1⅔ stops.0072004
Kodak Vision 800TKodak Vision 800T+1⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 800+1⅔ stops.0101998
Konica Centuria Super 1600Konica Centuria Super 1600+2⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 1600+2⅔ stops.0072002
Kodak Ektachrome P1600Kodak Ektachrome P1600+2⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 1600+2⅔ stops.0501999
Kodak T-Max P3200Kodak T-Max P3200Made since 1988, in production · +3⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 3200+3⅔ stops.0181988–
Ilford Delta 3200Ilford Delta 3200Made since 1998, in production · +3⅔ stops vs Fujifilm Eterna 250 · grain coarserEI 3200+3⅔ stops.0191998–

Science & sources

Fujifilm Eterna 250 calibration chart: OriginalFujifilm Eterna 250 calibration chart: Processed
Synthetic test chart (skin tones, Munsell greys, colour bars, tone and hue ramps, step wedge, memory-colour roll-off, halation star) before and after the full Ashigrain pipeline: print branch on Fujifilm Eterna-CP 3513DI, Super 35 4-perf, default controls, exposure +0.60 stops to match the original's mid-grey, frame 0.

A tungsten-balanced colour negative with an exposure index of 250. Fujifilm publishes one granularity value and one sharpness curve, so its per-layer grain and sharpness are modelled, and its dye shapes are borrowed from Kodak Vision3 200T. It prints on Fujifilm Eterna-CP 3513DI by default.

Response curves and the evidence behind the model

Compare manufacturer data with Ashigrain’s response on the same axes. These curves show how the model is calibrated to its sources; they do not establish a match to photographed film.

Characteristic response

Density against log H (lux-seconds) for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are digitised, open markers and dashed lines are simulated: digitised and simulated.−4.0−3.0−2.0−1.00.01.0log H (lux-seconds)0.00.51.01.52.02.5Density

RMS granularity

RMS granularity (σD) against Density for channels R, G, B. R circles, G squares, B triangles, N diamonds; filled markers and solid lines are datasheet-based, open markers and dashed lines are simulated: datasheet-based and simulated.0.20.40.60.81.01.21.41.6Density0.00.0050.010.015RMS granularity (σD)

Density variation (σD) measured through a 48 µm aperture. Where the datasheet gives a single grain value, the response away from that point is an approximation.

ChannelDensityDatasheet-based σDModel σD
R0.30.0049730.004926
G0.30.0057770.005676
B0.30.0126760.012544
R0.60.0038250.003788
G0.60.0048290.004745
B0.60.0100240.00992
R10.0036730.003638
G10.0046420.004561
B10.0109020.010789
R1.50.0030840.003055
G1.50.0039860.003917
B1.50.0099250.009822

Model limits

These images show the film model in use. Spectral response, lighting and viewing conditions include approximations. Halation, bloom, grain size, weave and flicker are not fully measured for each film. The look of real film also depends on development and print timing.

  • Custom lighting spectra, camera metering and the spectral reflectance inferred from fixed-white-balance footage are assumptions used by the model, not measurements of this film.
  • Colour-print timing and scan balance under arbitrary lighting are modelled. Scanner colour balance has no standard physical unit.
  • The source specifies a 3200 K tungsten design light, not its spectrum. The design-light spectrum is an approximation.
  • The source publishes only one RMS granularity value, 3.5 × 10⁻³. The granularity response away from that level is modelled, not a digitised grain curve.
  • The source publishes one square-wave contrast transfer function at visual diffuse density 1.1, not separate red, green and blue sine-wave MTF measurements.
  • Only a midscale neutral and a minimum-density spectrum are printed, not separate cyan, magenta and yellow dye spectra. The individual dye shapes are borrowed from Kodak Vision3 200T (5213), a proxy rather than this film's dyes.
  • The prescribed Kodak 85 filter uses separately measured transmission data. Grain size, push/pull behaviour and interlayer effects are approximations.
  • The sheet prints reciprocity corrections at a few exposure times; the correction between them is interpolated.
  • Characteristic response outside the published exposure range is an extrapolation, not measured film data.
  • The source does not identify an antihalation layer. Rem-jet is assumed; halation strength, radius, layer weights and bloom are not measured.
  • The printer lamp and filter spectra and the Status A grey aim used in this preview are approximated; the source does not publish the required spectral or laboratory aim data.

Reciprocity: modelled from 1/1000 s to 1 s, following the datasheet's corrections for long and short exposures. Exposure time stops at the ends of that range.

Film guide: assumptions and practical choices

Sources

  1. Characteristic curves: FUJICOLOR ETERNA 250 (Type 8553 / 8653) curve data sheet (ETERNA250_curve.pdf), ETERNA250_curve.pdf, 2005 (no Ref. No.), p. 1
  2. Diffuse RMS granularity: FUJICOLOR ETERNA 250 (Type 8553 / 8653) curve data sheet (ETERNA250_curve.pdf), ETERNA250_curve.pdf, 2005 (no Ref. No.), p. 1
  3. Exposure index: FUJICOLOR ETERNA 250 35mm Type 8553 / 16mm Type 8653 data sheet, Ref. No. KB-0506ER (SK·07·05·F1120·F9711), p. 2
  4. Process: FUJICOLOR ETERNA 250 35mm Type 8553 / 16mm Type 8653 data sheet, Ref. No. KB-0506ER (SK·07·05·F1120·F9711), p. 2

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