AshigrainFind your film.
Find a starting point among 42 films, arranged in the same groups as the plugin.
Natural
13 films
Kodak Vision3 50D, Kodak Vision Color Print Film 2383
Clean, bright daylight on the finest-grain Vision3 film: sky highlights roll off instead of clipping, sun on water keeps its sparkle, skin looks natural and the grain stays in the background. Original vs Ashigrain.Kodak Vision3 50D
Colour negativeEI 50 D2011
Kodak's finest cine grain, for blazing daylight.
Kodak Vision3 500T, Kodak Vision Color Print Film 2383
The modern cinema night look on Ashigrain's default film: warm practicals with a thin red halation rim, saturated neon and organic grain in the dark areas. Original vs Ashigrain.Kodak Vision3 500T
Colour negativeEI 500 T2007
Night stock of La La Land and Anora.
Kodak Portra 800
Flattering skin and warm, glowing backlight from a fast still-photo colour negative, seen as a scan. Original vs Ashigrain.Kodak Portra 800
Colour negativeEI 800 D2000
Portra's fastest: skin tones after the sun sets.
Fujifilm Pro 400H
Soft, airy daylight colour: pastels stay delicate, greens stay fresh and skin stays light. Original vs Ashigrain.Fujifilm Pro 400H
Colour negativeEI 400 D2004
Fourth-layer colour negative for weddings in mixed light.
Kodak Vision2 Expression 500T, Kodak Vision Color Print Film 2383
A tough, contrasty scene rendered gently: lower contrast and softer colour by design hold detail in the bright and the dark parts. Original vs Ashigrain.Kodak Vision2 Expression 500T
Colour negativeEI 500 T2003
Lubezki's low-contrast stock for Children of Men.
Fujifilm Astia 100F
Soft, natural slide colour for skin, viewed directly. Original vs Ashigrain.Fujifilm Astia 100F
Colour reversalEI 100 D2003
Fashion's slide film: soft contrast, true skin.
Agfa Agfachrome RSX II 100
Agfa slide colour: dense greens and deep shadows. Original vs Ashigrain.Agfa Agfachrome RSX II 100
Colour reversalEI 100 D1998
Clean whites, quiet greens: Agfa's late slide film.
Agfa Agfacolor Portrait XPS 160
Restrained colour and flat contrast for skin. Original vs Ashigrain.Agfa Agfacolor Portrait XPS 160
Colour negativeEI 160 Dexisted by 1995
Agfa's soft, forgiving negative for flattering portraits.
Agfa Agfacolor Optima II 100
Bright, saturated everyday colour. Original vs Ashigrain.Agfa Agfacolor Optima II 100
Colour negativeEI 100 D1998
Agfa's middle path: natural colour, subtle reds.
Kodak Vision3 250D, Kodak Vision Color Print Film 2383
Clean shadows and held highlights as the shot moves from shade into sun, printed on Kodak 2383. Original vs Ashigrain.Kodak Vision3 250D
Colour negativeEI 250 D2009
The daylight stock behind Oppenheimer's exteriors.
Kodak Vision3 200T, Kodak Vision Color Print Film 2383
Fine grain at 200 speed in soft exterior light, printed on Kodak 2383. Original vs Ashigrain.Kodak Vision3 200T
Colour negativeEI 200 T2010
Wes Anderson's colour stock, fine-grained at 200.
Fujifilm Eterna 250D, Fujifilm Eterna-CP 3513DI
Restrained daylight colour and natural skin, printed Fuji-on-Fuji. Original vs Ashigrain.Fujifilm Eterna 250D
Colour negativeEI 250 D2005
Daylight Eterna for natural skin outdoors.
Fujifilm Eterna 500, Fujifilm Eterna-CP 3513DI
Steady greys and deep blacks from a fast tungsten Eterna, printed Fuji-on-Fuji. Original vs Ashigrain.Fujifilm Eterna 500
Colour negativeEI 500 T2004
The Descent's inky dark, at 500 speed.
Vivid & saturated
6 films
Fujifilm Eterna Vivid 500, Fujifilm Eterna-CP 3513DI
Strong colour from the Vivid member of the Eterna family under tungsten light, printed Fuji-on-Fuji: reds, oranges and greens stay rich, while blues soften on the Fuji print. Original vs Ashigrain.Fujifilm Eterna Vivid 500
Colour negativeEI 500 T2009
Black Swan's workhorse: punchy colour after dark.
Kodak Kodachrome 64
A long, contrasty scale with strong reds, a deep blue sky and very fine grain, viewed directly with no print. Original vs Ashigrain.Kodak Kodachrome 64
Colour reversalEI 64 D1974
The slide film behind Afghan Girl.
Fujifilm Velvia 50
Very saturated colour and steep contrast for landscapes: deep skies, rich foliage and glowing water. Original vs Ashigrain.Fujifilm Velvia 50
Colour reversalEI 50 D2007
Velvet grain, colour as you remember it.
Agfa Agfacolor Ultra 50
Extremely saturated colour from a pale scene. Original vs Ashigrain.Agfa Agfacolor Ultra 50
Colour negativeEI 50 Dexisted by 1995
Agfa's most saturated negative, for pale, hazy scenes.
Kodak Ektar 100
Vivid colour and very fine grain. Original vs Ashigrain.Kodak Ektar 100
Colour negativeEI 100 D2008
Ultra-fine grain, colour turned all the way up.
Kodak Ektachrome 100D
Saturated, contrasty slide-film colour, viewed directly with no print. Original vs Ashigrain.Kodak Ektachrome 100D
Colour reversalEI 100 D2018
Slide-film colour, back on the movie set.
Vintage & odd
6 films
Kodak Ektachrome P1600
Gritty available light at EI 1600: a short scale, coarse grain and highlights that lean slightly green-blue. The room's light keeps its colour cast, as on real slide film. Original vs Ashigrain.Kodak Ektachrome P1600
Colour reversalEI 1600 Dexisted by 1999
Gritty available-light colour, pushed two stops.
Svema LN-9, Svema TsP-8R
A Soviet tungsten negative, reconstructed from Soviet specifications, on its own Soviet print: reds come out slightly magenta and desaturated. Original vs Ashigrain.Svema LN-9 (Свема ЛН-9)
Colour negativeEI 95 Tc. 1988
Late-Soviet tungsten negative: orange reds, green shadows.
Eastman Color Negative 5247, Eastman EXR Color Print Film 5386
Eastman 5247 printed on EXR 5386. Original vs Ashigrain.Eastman Color Negative 5247
Colour negativeEI 125 Tc. 1983
The mid-eighties day-exterior partner to 5294.
Fujifilm Fujichrome 64T Type II
Tungsten slide colour for interiors. Original vs Ashigrain.Fujifilm Fujichrome 64T Type II
Colour reversalEI 64 Texisted by 2002
Tungsten slide film for seconds-long studio exposures.
Kodak Aerocolor IV 2460
An unmasked aerial negative. Original vs Ashigrain.Kodak Aerocolor IV 2460
Colour negativeEI 250 Dexisted by 2009
Survey-plane colour negative with no orange mask.
DS-5M, Svema TsP-8R
Soviet daylight cine colour where reds stay red. Original vs Ashigrain.DS-5M (ДС-5М)
Colour negativeEI 40 Dexisted by 1979
Soviet daylight colour that kept reds red.
Black & white
6 films
Eastman Double-X 5222, Kodak B&W Print Film 2302
Classic cine black-and-white printed on 2302: deep blacks, hard-edged light and visible silver grain. Original vs Ashigrain.Eastman Double-X 5222
Black-and-white negativeEI 2501960
Same code from Raging Bull to The Lighthouse.
Kodak Tri-X Reversal 7266
Newsreel black-and-white: a 16 mm reversal image viewed directly, with visible grain, gentle softness and a weaving frame. Original vs Ashigrain.Kodak Tri-X Reversal 7266
Black-and-white reversalEI 2002003
Black-and-white you project straight from the camera.
Kodak T-Max P3200, Kodak B&W Print Film 2302
A fast black-and-white film pushed two stops to EI 3200: gritty grain, harder contrast and dark shadows. Original vs Ashigrain.Kodak T-Max P3200
Black-and-white negativeEI 8001988
Push-to-3200 grit, born on night football fields.
Fomapan R 100
Black-and-white reversal, viewed directly. Original vs Ashigrain.Fomapan R 100
Black-and-white reversalEI 100existed by 1980
Czech reversal film: the camera original is projected.
Ilford Ortho Plus, Kodak B&W Print Film 2302
Orthochromatic black-and-white: reds go dark. Original vs Ashigrain.Ilford Ortho Plus
Black-and-white negativeEI 80existed by 1997
Blue-and-green-only black-and-white, born as copy film.
NK-2, Kodak B&W Print Film 2302
Soviet cine black-and-white. Original vs Ashigrain.NK-2 (НК-2)
Black-and-white negativeEI 100c. 1980
Soviet cine black-and-white behind a toned apocalypse.
Experimental
4 films
Polaroid Type 669
Soft peel-apart instant colour. Original vs Ashigrain.Polaroid Type 669
Colour reversalEI 80 D1981
Peel-apart instant colour from a ten-shot pack.
Fujifilm FP-100C
Peel-apart instant colour. Original vs Ashigrain.Fujifilm FP-100C
Colour reversalEI 100 Dc. 1992
The last peel-apart instant colour film.
Kodak Aerochrome III 1443
False-colour infrared: foliage turns magenta-red. Original vs Ashigrain.Kodak Aerochrome III 1443
Colour reversalEI 40 D2001
Military infrared that turns green foliage pink.
Technicolor Process II
A two-colour palette of red-orange and blue-green. Original vs Ashigrain.Technicolor Process II
Colour reversalEI 16 D1922
Red and blue-green, cemented back to back.
Print film
7 films
Print films are the second stage: a camera negative is printed onto one of them for projection.
Kodak Vision3 500T, Kodak Vision Color Print Film 2383
What the standard Kodak cinema print adds: rich blacks, reaching about 4.1 Status A density, and classic projection contrast. Original vs Ashigrain.Kodak Vision Color Print Film 2383
Colour print1998
Kodak's colour release print since 1998.
Fujifilm Eterna Vivid 500, Fujifilm Eterna-CP 3513DI
Fuji's print: softer and less saturated than 2383, most visibly in blues, where a blue sky shifts in hue by about 30 degrees. Original vs Ashigrain.Fujifilm Eterna-CP 3513DI
Colour printexisted by 2005
Fujifilm's Eterna-era print for Fujicolor negatives.
Eastman Double-X 5222, Kodak B&W Print Film 2302
Punchy projection black-and-white: the blue-sensitive release print at a gamma of about 2.2, from bright high-key to deep low-key. Original vs Ashigrain.Kodak B&W Print Film 2302
Black-and-white print2000
Blue-sensitive black-and-white, built for release prints.
Svema LN-9, Svema TsP-8R
The Soviet colour print paired with LN-9, with dyes from Konovalov 1997 and reconstructed curves: reds come out slightly magenta and desaturated. Original vs Ashigrain.Svema TsP-8R (Свема ЦП-8Р)
Colour printexisted by 1969
The Soviet mass-release print, reds leaning orange.
Kodak Vision3 500T, Kodak Vision Premier Color Print Film 2393
Kodak's premium print: blacks reaching about 5.3 to 5.5 Status A density, deeper than 2383's, and a more contrasty projected image. Original vs Ashigrain.Kodak Vision Premier Color Print Film 2393
Colour print1998
Kodak's premium print, with blacks past 5.0.
Eastman Color Negative 5247, Eastman EXR Color Print Film 5386
Eastman EXR 5386: a 1990s print. Original vs Ashigrain.Eastman EXR Color Print Film 5386
Colour print1993
Kodak's 1990s release print, before Vision.
Agfa Agfacolor Portrait XPS 160, Agfa CP30 Colour Print Film
Agfa CP30: a cinema print. Original vs Ashigrain.Agfa CP30 Colour Print Film
Colour printc. 2003
Agfa's rem-jet-free print for worldwide releases.